Can reception be separated from interpretation? How do we obtain meaning from visual experience and how is experience transformed and codified through a signifying process? I am interested in testing the logic of visual communication. By taking familiar elements from everyday life, or from within my own body of work and treating them as lexical units to be reformulated within my own aesthetic syntax, I aim to create drawn spaces that fit within dominant symbolic and linguistic structures yet temporarily suspend their organizing processes in order to recode the everyday.
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