Barry Reigate

Real Special Very Painting

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Real Special Very Painting
Barry Reigate
Real Special Very Painting
2009
Acrylic, oils, oil pastel, pencil, crayon, collage, wrapping paper, spray paint, varnish, gloss paint, wax, charcoal, gloss paint, marker pen on canvas
235 x 306 cm

“The dumbness is from too much knowledge,” Reigate perceives, “an apathy from too much info. Because of information and imagery, we all have loads of input about stuff we don’t ever experience, like zombiefied conduits of information. All this info goes into the paintings. Layer after layer of collage, drawing, crayon, airbrush etc… Just stuff on stuff, then sealed and more stuff put on top of other stuff. Making work is a kind of expenditure for this ‘stuff’. When I make a painting it may refer to moments in art’s history, but I did not do that consciously. It’s the energy of apathy kicking in. I’ve seen Guston’s books, read about Basquiat in journals, Googled Condo, seen Jeff Koons on TV, paid to see Paul McCarthy online, looked at Magritte’s ‘vache’ period in libraries etc; somehow this info is going to come out, through me. My body cannot store it, there’s not enough ram, so it gets performed, transferred onto a piece of material through brush, paint, collage and whatever’s to hand.”


     
 


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