acrylic on wood panel
121.9 cm in diamete
Extending beyond Pop’s elevation of marketing logos to art, McGinness pushes his work into the realm of the commodity. His output spans from traditional paintings to video, installations and a range of consumer products, fusing high and low culture through the language of advertising. In MKULTRA – titled after the 1950s CIA mind control project – McGinness presents a trippy amalgamation of symbols and patterns on a circular panel. Set on a red background, McGinness’s entwined logos concentrate sensations of uneasy exotica in their Eastern influenced aesthetic. Using graphic design as subterfuge, McGinness explores the intrinsic cultural narratives contained within generic form.