Oil on Canvas
36 x 40cm
In Landscape, a row of Eastern European houses is half obliterated by a smoke bomb. In an image reminiscent of news clippings, Sasnal impersonalises the violence until it becomes nothing more than a perfect cloud. Dehumanised to the point of abstraction, Sasnal reduces horror to a mere formalist problem: a structural composition of terror; a self-absorbed contemplation of the sublime.