•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

Cullen Washington Jr

SELECTED WORKS BY Cullen Washington Jr

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Cullen Washington Jr
Infinity

2013

Tape, acrylic, paper, canvas

213.4 x 304.8 cm
“For me, the grid is the compositional and conceptual device upon which my work hinges itself. It is the vertical and horizontal framework that holds unlimited things”.
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Cullen Washington Jr
Untitled #5

2013

Canvas, paper, tape, found materials

213.3 x 365.7 cm
There is a fetishistic quality to Cullen Washington’s paintings, evident in his use of scraps of pre-used canvas held together with sticky tape to form a rugged, rhythmic surface. His broadly monochromatic collages are punctuated with bursts of raw colour that introduce cultural references through a use of found materials.
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Cullen Washington Jr
Untitled #4

2013

Canvas, paper, tape and found materials

229 x 213 cm
The initial immediacy in the appearance of these paintings is underpinned by a considerable thought process, Cullen has commented “Sometimes weeks of visualization and clarification in my thinking precede the actual act of making which can then be swift and deliberate.”. Untitled, 1, 2012, Untitled 4, and 5, 2013 and Infinity, 2013, are all irregularly shaped, un-stretched paintings that are constructed around a loose grid, while still adhering to the rules of formal purity followed by painters such as Mondrian and Malevich. The variety of materials used in these paintings are treated with equal importance, both for their surface appearance and texture, as if Washington is using them as he would paint itself, for their colour, flatness, roughness, geometric precision and so on. For example, instead of replicating a type of mark or effect with paint, he substitutes them with the real thing. Turned up edges resemble paint drips, black tape provides a defined outline while also physically separating and defining areas of the painting, establishing a rigour that belies the harshness of its functional nature.
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Cullen Washington Jr
Untitled #1

2012

Canvas, paper, tape and found materials

213 x 366 cm
The freedom Cullen applies in assembling his work echoes the ideas of artists such as Jean-Michel Basquiat or Robert Rauschenberg who physically deconstructed painting in order to look for ways to extend its possibilities. The result is deliberate, richly built-up surfaces that flip between 2D and 3D relief and demonstrate an intuitive and subtle sensitivity towards this hands-on working process.

Text by Gemma de Cruz

OTHER RESOURCES

cwashingtonstudio.com
Artists website- Cullen Washington Jr

jackbellgallery.com
Representing gallery- Jack Bell

decordova.org
Additional images and information- Cullen Washintgon Jr

thebeardenproject.studiomuseum.org
Additional images and information- Cullen Washintgon Jr