•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

SELECTED WORKS BY Dallas Seitz

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Dallas Seitz
Give

2009

Metal A board, vinyl text

94 x 55 x 4 cm
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Dallas Seitz
Give (detail)

2009

Metal A board, vinyl text

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Dallas Seitz
A Very Still Life, Dr Kevorkian And The Suicide Machine

2009

Graphite coated air-drying clay, post-card holder, milk bottles, surgical tube, clothes pegs, saline, sedative, poison

Dimensions variable
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Dallas Seitz
A Very Still Life, Dr Kevorkian And The Suicide Machine (detail)

2009

Graphite coated air-drying clay, post-card holder, milk bottles, surgical tube, clothes pegs, saline, sedative, poison

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Dallas Seitz
Elizabeth Regina

2011

Air dried clay, stain, porcelain commemorative plate on MDF plinth

160 x 25 cm
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Dallas Seitz
The Messenger

2011

Fired clay, glaze and grouse feathers

50 x 40 cm
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Dallas Seitz
John Hanning Speke

2011

Air dried clay, stain, cloth on MDF plinth

160 x 25 cm

OTHER RESOURCES

artfacts.net
Additional images and information – Dallas Seitz

carterpresents.org
Dallas Seitz unapologetically utilizes the poetry of objects to combine his interest in collecting, museumology, colonization, personal history, and the falsity of representation. The often-absurd works expose an awareness of the thinking process while recalling museum collections and relationships or narratives created by display.

pumphousegallery.org.uk

Dallas Seitz – solo show at the Pumphouse Gallery, London “HUNTED (the cannibalism of colonial collectorexia)”.
Moving between the mediums of video, sculpture, drawing and photography Seitz investigates the processes of hunting and collecting as a form of colonization and obsession. Though the artist’s practice is largely conceptual, much of his work originates from the personal. Often drawing on his own family, upbringing, and memories Seitz moves towards psychological and political terrains - exploring the wider motivations, intentions and implications behind the act of collecting.

castlefieldgallery.co.uk

Friday, May 29, 2009 to Sunday, July 19, 2009.
Castlefield Gallery is pleased to present The Social Lives of Objects brings together the work of three artists based in Manchester and London, Hilary Jack, Lisa Penny and Dallas Seitz.

v22collection.com
Dallas Seitz’s video and sculpture work uses colonization in various forms, as its starting point. From bone cells colonizing muscle cells to the father colonizing the son, up to the political colonizing the personal, the works become questions of positioning.

fieldgategallery.com
Fieldgate Gallery, London, Dallas Seitz’s video “Choked”: Choked is a video about 2min 45 seconds in duration. The video was made by simply trapping a moth in a Styrofoam cup then by placing the cup onto the lens of the camera the moth was unable to get out of the range of the shot.