Daniel Richter’s Jawohl und Gomorrah possesses an operatic quality. Borrowing themes from both Christianity and German history, Richter constructs his contemporary scene with theatrical flair: his figures are staged in Baroque composition, their outlandish costumes and mask-like faces lend an element of surreal spectacle. The fervent emotion of grand drama is carried through Richter’s frenetic style of painting: thick brushwork battles with translucent drizzles and impassioned smears; acid tones are electrified against the sombre ground. Reminiscent of Ensor’s nightmarish crowds, Richter infuses this street scene with apocalyptic celebration.
Daniel Richter Still
Oil and Ink on Canvas
280 x 380cm
Richter uses paint on a canvas surface to conjure up illusions of time and space. Still has a certain Pre-Raphaelite quality, reminiscent of ghostly figures witnessing the drowning of Ophelia. Much like Doig, Richter gets to the heart of paint, capturing a magnetic vibrancy through texture, richness of colour and illusion of light. Richter designs an exuberant and luscious otherworld, made all the more believable by the invention of, and adherence to, his own rules of image-making.
Daniel Richter Gedion
Oil and Ink on Canvas
306 x 339cm
Daniel Richter’s work subverts the genre of epic historical painting. Often working from media images, his large-scale paintings reconstitute current events as timeless fables, spinning the anxiety of contemporary zeitgeist into overwhelming tableaux of allegorical fantasy. In Gedion, Richter paints a crowd of people outside a stadium. The figures are given a ghost-like presence, radiating with a supernatural aura. The carnival-esque atmosphere is infused with a malefic tension; a boozy Saturday night reconstituted as imperious myth. In the background, naked figures tend to the building; their presence is reminiscent of cherubs in Renaissance religious painting.-->
Daniel Richter Trevelfast
Oil on canvas
283 x 232cm
An array of magic lies in Richter’s Trevelfast. In a nightmarish scene, he paints a ghoulish rider desperate for escape from the unnatural powers of the night or the blazing red suggestion of fire. Richter handles paint with an unwieldy passion: every colour in his controlled chaos retains its purity. His paintings radiate with their own internal light, bringing his dreamy scenes of contemporary fable to life with timeless authority.
Daniel Richter Those who are here again
Oil and lacquer on Canvas
259 x 393cm
In Those who are here again, highly rendered paintwork provides an ebullient scene: a group of mysterious figures gathered round a fire, an urban residence illuminated in other-worldly glow. It’s ambiguous high drama that Richter does best: perhaps a scene of violence, vagrancy or simply a party, his paintings are infused with wonder, enigma and a silently creeping paranoia.
Art in America 'Allegories of anarchy'
By Raphael Rubinstein
Pink Flag--White Horse," a traveling Canadian exhibition of about 26 large canvases by Daniel Richter, marks the first time that paintings by this 42-year-old German artist have been shown in North America (between venues, 12 of the works were on view last summer at David Zwirner Gallery in New York). Richter is one of a number of German painters who have emerged on the international scene in the last few years. The most interesting members of this stylistically diverse group include Kai Althoff (who is the subject of a current traveling U.S. show), Franz Ackermann, Katharina Grosse, Bernhard Martin, Neo Rauch and Thomas Scheibitz, all of whom have had solo shows in this country.