•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

EXHIBITED AT THE SAATCHI GALLERY

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Francesca DiMattio
Sevres vase à Bobèches

2012

Overglaze and underglaze with gold lustre on porcelain

57.2 x 52.1 x 30.5 cm
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Francesca DiMattio
Ladder

2006

Oil on canvas

304.8 x 210.8 cm
Francesca DiMattio’s canvases take architecture as their subject as a means to restructure the concept of space. Using painting as a springboard for invention, DiMattio’s buildings and interiors descend into a myriad of perspectival confusion as grid-like patterns of brick and tile, decorative arches, and off kilter staircases become departure points for painterly contrasts and expressive mark-making. Occupying human-sized scale, DiMattio’s canvases create a dizzying sense of physical environment. Veering between art historical references – from pop, art nouveau, and op art – DiMattio’s paintings extend post-modern eclecticism into the realm of the surreal.
In Ladder, DiMattio envisions a still-life within a classical portico which dissolves into an entanglement of illusory confusion. DiMattio adapts the systematic order of black and white illustration as a means to underscore the subtle disruption of her composition. Painted objects, such as the ladder and umbrella, become embedded within the stylised background, their realistic rendering careening against the flatness of the picture plane as they are engulfed by the Matisse-like wall paper and threatened by the undulating floor.
DiMattio’s Broken Arch appropriates the staidness of her architectural subject to explore the visual representation of velocity and weightlessness. Juxtaposing the rigid geometry of mosaic-like forms against an explosion of feather motifs, bijoux patterning, and skewed linear shapes, DiMattio creates a sense of wonder and unease from an arrangement of formal elegance. Infusing the free flow meander of doodling with baroque opulence, DiMattio contrives an optical illusion through both disjointed perspective and a heightened physicality of surface detail.
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Francesca DiMattio
Broken Arch

2006

Oil on canvas

304.8 x 210.8 cm
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Francesca DiMattio
Tunnel

2007

Oil and acrylic on canvas(5 panels)

Overall dimensions 284.5 x 914.4 cm Each panel 284.5 x 182.9 cm
Francesca DiMattio’s canvases take architecture as their subject as a means to restructure the concept of space. Using painting as a springboard for invention, DiMattio’s buildings and interiors descend into a myriad of perspectival confusion as grid-like patterns of brick and tile, decorative arches, and off kilter furnishings become departure points for painterly contrasts and
expressive mark-making. Executed as a grandiose tableau, DiMattio’s Tunnel creates a dizzying sense of physical environment, envisioning a virtual reality in real-life scale. Veering between art historical references – from pop, art nouveau, and op art – DiMattio’s paintings extend post-modern eclecticism into the realm of the surreal.
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Francesca DiMattio
Tunnel (detail)

2007

Oil and acrylic on canvas

(5 panels)

OTHER RESOURCES

salon94.com
A range of images and information on Francesca DiMattio

ny.artistpensiontrust.org
Francesca DiMattio received a B.F.A. from Cooper Union School of Art (New York, NY) and a M.F.A from Columbia University (New York, NY). Selected exhibitions include Marvelli Gallery (New York, NY), ZieherSmith Gallery (New York, NY) and Capsule Gallery (New York, NY).

likeyou.com
Francesca DiMattio's energetic paintings depict chaotic environments where seemingly incongruous elements coexist and spurts of luscious color enhance the compositions. She creates a dynamism that alters the spatial planes and conveys the sense that the painting is collapsing unto itself.