•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

Jessica Jackson Hutchins

SELECTED WORKS BY Jessica Jackson Hutchins

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Jessica Jackson Hutchins
Couch For A Long Time

2009

Couch, newspaper, ceramic

73.7 x 193 x 90.2 cm
The title of Couch for a Long Time, Jessica Jackson Hutchins’ mixed media sculpture, implies a kind of indolence, a suggestion of idling, and the colour-streaked ceramic pots and sculptures seem to sit on the receiving cushions of their newspaper- clad couch like lazy characters in front of an absent TV. The physicality of the ceramic pieces’ forms – their bone- or flesh-coloured glazed surfaces, their bottom- heavy fatness – invokes the human body; even the couch itself, its cushions bulging like tongues in reaction to its occupants, has a
bodily fatness, a subservience to gravity. By contrast, the couch’s surface, covered with newspapers, implies a different temporal idea: the speed of a news story, its sudden irrelevance. That the newspaper clippings repeatedly refer to the then-incumbent President Obama gives these parallel speeds added poignancy. Differing rates of change – the ceramic pieces, protected by a sheen of glaze, will remain intact for as long as they’re carefully held; both the material and the content of the newspapers become dated almost immediately after they’re printed – gives the title additional meaning. Obama became a vessel for certain ideas of optimistic change after the Bush presidency; debatably, those ideas have dated, even lost their lustre. The couch, too, accrues meaning by association: once in Hutchins’ childhood home, its newspaper covering is a kind of protection, as though the room around it were being painted. That, and the preservation implied by the vessels, gives Hutchins’ piece the gravitas of a domestic monument, to be remembered – with a kind of sad hope – for “a long time”.
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Jessica Jackson Hutchins
Convivium (and 2 details)

2008

Table, linen, paper maché and ceramic

134 x 144.1 x 136.5 cm
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Jessica Jackson Hutchins
Still Life: Chair, Bowl and Vase (and 2 details)

2008

Chair, plaster, collage and salt-fired ceramics

109.2 x 91.4 x 78.7 cm
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Jessica Jackson Hutchins
Loveseat and Bowls (and 3 details)

2008

Loveseat, plaster, fabric, and ceramics

156.2 x 105 x 133.4 cm
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Jessica Jackson Hutchins
Couple

2010

Couch, ink, spray paint, charcoal dust, hydrocal, ceramic

124.5 x 178 x 107 cm
Text by Ben Street

OTHER RESOURCES

artfacts.net
Additional information and images – Jessica Jackson Hutchins

derekeller.com
Representing gallery – selected images, biographical and press information

smallaprojects.com
Images from Hours and Ours show at Small Projects.com, January 4 - February 2, 2008

smallaprojects.com
Images from Peace At Home / The War Never Left show, September 8 - October 7, 2006


nytimes.com

Despite the current and largely trumped-up backlash against small, exquisitely made drawings, David Dupuis continues to develop as one of the moment's leading Surrealist-Symbolists. His concentrated visionary landscapes combine gnarled graphite shapes and incidents done in vivid colored pencil (mostly blue) with surgically imposed collage, mostly of levitating eyes.

portlandmercury.com
Jessica Jackson Hutchins' Stylite Optimism is not an easy show to love. At a glance these ceramic sculptures look like a cracked cup here and a lumpy form there. But after spending time with this collection of recent works, I came away stimulated and even moved, mulling over not only questions of how we evaluate art and measure beauty, but thinking of how these same values extend into our "real" lives.

blog.oregonlive.com
None of these individual works from Jessica Jackson Hutchins' exhibit at Small A Projects, "Hours and Hours," offer dazzling first impressions. Yet Hutchins' work comes together as a kind of visual diary detailing an ongoing spiritual quest. From throwaway materials and moments, she's found a touch of the sublime.

portlandart.net
Some artists seek to refine a convincing material experience by removing any irregularities while others invite entropy by creating fissures and cavities, which are places for esthetic skepticism to fester and breed. Jessica Jackson Hutchins is the latter type of artist but with Hours and Ours she seems to be testing a different realm with the addition of a Proustian document laced with family life.