•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

EXHIBITED AT THE SAATCHI GALLERY

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Maaike Schoorel
The Visit

2005

oil on canvas

164 x 244.5 cm
Though Schoorel’s paintings are developed from photographs, how she interprets these is very intuitive, as is the decision about what information to include or omit. Each brush mark and gesture is designed to refute concrete resolution; some appear as impalpable shadows or stains, while others have a slightly holographic effect. Schoorel drafts The Visit with an expert understanding of colour, and uses minute shifts in tone to magnify her painting’s ambience and evoke psychological reaction. “The colours come to you like music comes to you,” Schoorel explains. Her paintings are often initially ‘felt’ before they are ‘seen’; they provoke a subconscious recognition before they are understood visually.
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Maaike Schoorel
The Cruise

2004

oil on canvas

122 x 172.5 cm
Schoorel has commented that “we are used to looking at images in high or instantaneous speed. Media such as television and the Internet present everything in a disjointed way. My paintings reveal themselves in slow time. I try to make images that have a sense of connection. For these paintings I worked from family photographs, but I was specifically interested in scenes which relate to genre painting, such as landscapes or group portraits. We are used to seeing these types of images, and my work changes the order of how we view them: once you discover one detail it will link to another, creating a sense of movement and interconnectedness.”
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Maaike Schoorel
Holiday

2004

oil on canvas

156.5 x 215 cm
Looking at Schoorel’s images one has the sensation of looking at a projected or hovering presence in an illusory space beyond the flat picture plane. Executed in micro-thin layers her mark-making has the effect of being indelibly penetrated or melded into the fabric of the canvas. Her paintings suggest something that is simultaneously there, but not there, and draw the viewer in as an active participant in interpreting and decoding the image.
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Maaike Schoorel
The Picnic

2004

oil on canvas

137 x 203 cm
Maaike Schoorel’s canvases are near invisible planes which invite sustained contemplation; from their soft, barely perceptible tones images will begin to appear, and eventually resolve as quite detailed scenes. Schoorel’s painterly apparitions are a result of the power of suggestion, her delicate gestures and subtly shifting hues provide only the scantest impressions, provoking the viewer’s subconscious to cogitate the visual cues. When looking at her paintings, not everyone sees the same things at first: your eye might catch a glimpse of a red apple which may lead you on to notice the shade of someone’s eye or hair, or vice versa. Schoorel sees her work as a way to explore the hierarchy of perception.
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Maaike Schoorel
Twilight

2004

oil on canvas

152 x 265 cm
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Maaike Schoorel
Parnassia Beach

2006

oil on canvas

210 x 415 cm

OTHER RESOURCES

the-artists.org
Modern and contemporary artists and art; Maaike Schoorel


daniellearnaud.com
- Maaike Schoorel exhibits in the Deliberate Regression show
Maaike Schoorel's paintings touch upon melancholia of modernist architecture as well as intimate spaces of portraits

ibidprojects.com - Maaike Schoorel exhibits in the group show ‘Someplace unreachable’
Maaike Schoorel's sensuous paintings create dreamy visions of young people veiled in white unpainted space amongst the fragments of their living environments. Although the artist tries to depict her subjects "as they really are", to capture and fix their true selves, the faces of the characters are never fully visible or complete and their bodies are almost invisible.

absolutearts.com - Maaike Schoorel exhibits in the group show ‘Must I paint you a picture?’
Must I Paint You a Picture? is an exhibition that brings together six London-based artists who primarily or exclusively work with the medium of painting. Glenn Brown, Silke Otto-Knapp, Bruno Pacheco, Alessandro Raho, Maaike Schoorel and Alexis Marguerite Teplin share an approach to painting that combines a dedication to mastering its techniques with a constant experimentation with its possibilities.

maureenpaley.com
A selection of Maaike Schoorel’s paintings