•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
Saatchi Art
Saatchi Store
Current Exhibition

Matthias Weischer EXHIBITED AT THE SAATCHI GALLERY

Matthias Weischer
Wurm

2000

Oil on canvas

150 x 200 cm
Matthias Weischer conceives his painting Wurm as if it were a sculptural assemblage. Weischer treats the paint as a construction material: thick impasto is carved into, painted over and chiselled back again; other areas trail off into thin ephemeral drips. His
log cabin and scattered debris take on a clunky, rustic form, their implied weight and physicality undermined by the persistent
awareness of the painting’s battered surface. The three pronged abstract shape is revisited in several of Weischer’s paintings,
such as Familie O-Mittag . As if part of a stage set, Weischer’s forms become recyclable props, implying an inter-relating
continuity between his imagined spaces.
Egyptian Room
Matthias Weischer
Egyptian Room

2001

Oil on Canvas

220 x 220cm
Matthias Weischer’s dream houses defy all spatial logic; he makes architectural installations that can only exist in two dimensions. Depicting a ceiling-less apartment, Egyptian Room removes the ambit between internal and external space. Instead, each element imposes its own sense of order on each other: outside, palm trees and sand dunes tower in geometric precision, while inside Matthias Weischer’s meticulous grid gives way to its own organic confusion. The floor melds inconspicuously with the counter, shelves and table tops tilt to high-seas angles, and objects such as the basket sink below their supporting surfaces. Banality is ruminated as a perpetual labyrinth where obsession and madness become the pursuit of wonder and delight.
House
Matthias Weischer
House

2003

Oil on Canvas

180 x 240cm
House operates as an antilogy: a painting that’s a contradiction of its own expression. Subverting the expected qualities of painterly rendition, Matthias Weischer invents an environment where each element adopts attributes opposite to their character. Flowers in the foreground recede with the flatness of wallpaper, while rugged mountain backdrops protrude with stylised sharpness. Hard-edged formalist tower blocks exceed planate limitation to create believable sculptural volume, while details nearest in perspective float in non-descriptive nether-space. Smudges and drips of pure abstract gesture should lead the eye directly back to the painting’s surface; instead they create a disorienting tiered perspective. Matthias Weischer creates a common urban scene as a surprise of improbable construction, exploiting illusion to its ultimate possibility.
Living Room
Matthias Weischer
Living Room

2003

Oil on Canvas

170 x 190cm
Matthias Weischer’s paintings of interiors expose the architecture of painterly illusion. His rich surfaces contrast geometric fields of hard-edged abstraction with highly rendered decorative details to create an eerie play between flatness and 3D. Starting with a design of an empty room, Matthias Weischer builds his imagined locations layer upon layer, each added element further pushing the boundaries of perceived space. Incongruous perspectives, dizzying patterns and Escher-like visual riddles quietly allude to a sense of the uncanny. In Living Room, suburban normality is infiltrated by an almost unnoticeable surrealism: shrubbery on the inside of the building, an impossibly flat piano and a table that casts no shadow.
Untitled 11
Matthias Weischer
Untitled 11

2003

Oil on Canvas

150 x 300cm
Matthias Weischer’s composite paintings readily portray space as a surreal concept. In Untitled 11, Weischer creates a scene of diametric character: a grotty alley is given the smooth lighting and design effects of an institutional interior. Viewed over a railing, his set shuffles in and out of optical perspective. Shifting between representation and abstraction, breeze blocks repeat in Op Art patterns; a wall mural is a self-contained painting within a painting. A large white tower cuts through the canvas, a haywire scribble of spatial relief. Matthias Weischer off-sets this hard-edged style with his organic treatment of the ground: thin layers of oil paint ripple with the translucence of water. Plants and bricks suggest submersion, while the realistically rendered blankets float strangely on the surface.
Untitled
Matthias Weischer
Untitled

2002

Oil on Canvas

102 x 120cm
In Matthias Weischer’s Untitled, the artist constructs a claustrophobic room with fraudulent perspective. The airy turquoise space is squashed between the heavy mauve planes of ceiling and floor; only a too-tall standing lamp keeps them prised apart. The precariousness of the scene is repeated throughout: a dwarfed table teeters on matchstick legs under the weight of a classical urn and striped sticks appear to stand on end, placed at deceptive angles to the ground. Matthias Weischer emphasises the ‘askance’ effect through the patterning of the carpets, tablecloth and wall hanging, each appearing out of turn in their layered spatial order.
Familie 0-Mittag
Matthias Weischer
Familie 0-Mittag

2001

Oil on Canvas

190 x 240cm
Matthias Weischer’s paintings explicitly show the falsification of their illusion. In Familie O-Mittag, Weischer doesn’t create a room, but rather a complex system of intersecting rectangles. Here, the floor, window, wall and hearth exist as separate planes: the representative scene functions as a coincidence of their proximity. This geometric breakdown is extrapolated further in the bricks, tiles, picture frames and plant pots, dissolving the image of a room into an obsessive hallucination.
Interior
Matthias Weischer
Interior

2003

Oil on Canvas

75 x 96cm
Matthias Weischer’s Interior sets up an ambience of corroded decadence. Here Weischer’s formalist interests are presented with more naturalistic qualities. Exploiting his media to its full potential, Weischer creates spatial illusion through his application as well as composition: the heavy folds of the curtain are painted with concrete ballast, while the ceiling writhes with liquid fragility. Weischer renders the receding wall with battered texture, the illusion of movement gives way to a fanciful mural; a portal to a mystical landscape, incongruous with this dilapidated setting.

Matthias Weischer's BIOGRAPHY

Matthias Weischer
Born in 1973, Elte, Germany
Lives and works in Leipzig, Germany



SOLO EXHIBITIONS


2011
Alice, Armin und all die anderen. Auf Papier, Museum der bildenden Künste Leipzig; Kunstverein Bremerhaven

2010
In Monte Carlo, Galerie EIGEN + ART Leipzig
Was ihr wollt, Ruhrfestspiele Recklinghausen, Theater Marl in cooperation with the Renaissance-Theater Berlin and Grand Theatre de Luxembourg.

2009
Room with a View, Kunsthalle Mainz

2008
Gemeentemuseum, Den Haag, Niederlande
In the Space Between, CAC Málaga - Centro de Arte Contemporáneo de Málaga, Spain
Matthias Weischer. Der Garten – Arbeiten auf Papier, Kloster Bentlage, Rheine

2007
Museum zu Allerheiligen Schaffhausen, Switzerland
Kunsthalle Mannheim
Matthias Weischer. Der Garten – Arbeiten auf Papier, Neuer Berliner Kunstverein

2006
Matthias Weischer. Arbeiten auf Papier, Kunstverein Konstanz; Kunstverein Ulm
Galerie EIGEN + ART Berlin

2005
Museum der bildenden Künste Leipzig, solo exhibition on the occassion of the LVZ Art Award

2004
Simultan, Künstlerhaus Bremen

2003
3 Zimmer, Diele, Bad, Galerie LIGA, Berlin

2002
Räumen, Kunsthaus Essen


GROUP EXHIBITIONS


2011
ROM sehen und sterben, Kunsthalle Erfurt, Erfurt
LUBOK, Künstlerbücher aus Leipzig, Städtisches Kunstmuseum Spendhaus Reutlingen, Reutlingen

2010
Die Bilder tun was mit mir..." Einblicke in die Sammlung Frieder Burda, Museum Frieder Burda, Baden Baden
Group show, Galerie EIGEN + ART Leipzig, Germany
Lubok, Lyonel Feininger Galerie , Quedlinburg/ Essenheimer Kunstverein, Essenheim
Parallelen: Junge zeitgenössische Kunst aus Norwegen und Leipzig, Kistefos Museum, Jevnaker, Norway
The Library of Babel/ In and out of Place, The Zabludowicz Collection, London, UK

2009
Memorabilia, Sächsische Künstler in Rom, Galerie des Neuen, Sächsischer Kunstverein, Dresden
60-40-20, Museum der bildenden Künste Leipzig
Lubok. Originalgrafische Bilderbücher, Museum der bildenden Künste Leipzig

2008
Interieur/Exterieur. Wohnen in der Kunst, Kunstmuseum Wolfsburg
New Leipzig School, Cobra Museum, Amstelveen, Netherlands
Sommer bei EIGEN + ART, Galerie EIGEN + ART Berlin
The Leipzig Phenomena, Mucsarnok/Kunsthalle, Budapest, Hungary
Germania contemporanea. Dipingere è narrare: Tim Eitel, Matthias Weischer, David Schnell MART, Museo di arte moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy

2007
SpaziAperti 5, Accademia di Romania, Rome, Italy
MAD LOVE , Young Art from Danish Private Collections, Museum of Modern Art ARKEN, Arken, Denmark
Part V. Fantasy and Fiction, Teil der Ausstellungszyklus Imagination Becomes Reality, ZKM, Karlsruhe
Weischer meets Beckmann, Kunsthalle Mannheim
Rockers Island. Olbricht Collection, Folkwang Museum Essen

2006
Landschaft, Galerie EIGEN + ART Berlin
Full House – Gesichter einer Sammlung, Kunsthalle Mannheim
Artists from Leipzig, Arario Beijing, Bejing, China
Netherlands v. Germany. Painting / Malerei, GEM museum voor actuele kunst, Den Haag, Netherlands
Deutsche Wandstücke / Sette scene di nuova pittura germanica, Museion Bozen, Italy
MADE IN LEIPZIG – Bilder aus einer Stadt, Sammlung Essl, Klosterneuburg, Austria
Archi-Peinture, Le Plateau, Paris, Frankreich; Camden Arts Center, London, UK
Neue Malerei. Erwerbungen 2002 – 2005, Museum Frieder Burda, Baden-Baden

2005
Life After Death: New Paintings from the Rubell Family Collection, MASS MoCA, North Adams; SITE Santa Fe, New Mexico; Katzen Arts Center Museum, Washington D.C.; Frye Art Museum, Seattle; Salt Lake Art Center, Salt Lake City, Utah; Kemper Museum of Contemporary Art, Kansas City (through 2008)
Expanded Painting - Painting and around, Prague Biennale 2, Prag, Czechia
La nouvelle peinture allemande, Carré d`Art - Musée D`Art Contemporain de Nimes, France
Cold Hearts. Artists from Leipzig, Arario Gallery, Cheonan, Corea
Biennale Venezia
Portrait, Galerie EIGEN + ART Berlin
David, Matthes und ich, Kunstverein Nürnberg; Kunstverein Bielefeld

2004
Northern Light: Leipzig in Miami, Rubell Family Collection, Miami, USA
Direkte Malerei, Kunsthalle Mannheim
Matthias Weischer, David Schnell, Tim Eitel, Galerie EIGEN + ART Berlin

2003
Sieben mal malerei, Neuer Leipziger Kunstverein at Museum der bildenden Künste Leipzig

2002
Galerie EIGEN + ART Leipzig