•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

SELECTED WORKS BY Natasha Peel

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Natasha Peel
The World’s Local Nomad

2012

Heat-treated Perspex and vinyl-covered plinth

150 x 130 x 100 cm
The title of Natasha Peel’s sculpture - The World’s Local Nomad – introduces the sense of internal contradiction at the heart of the artist’s practice. A local nomad might be an accurate description of the paradoxical identity of the contemporary western individual: technology appears to have blurred national boundaries, making nomads of us all; and yet the baggage of national identity – of the local – seems impossible to fully shake. Peel’s work plays out a formal contradiction too. A square plinth, the traditional sculptural support, rests on the gallery floor; a sheet of transparent, folded Perspex, unconstrained by the plinth’s structure, cascades and dances off to the side, one corner touching the floor, like a toe. Peel uses industrial ovens to heat sheets of Perspex until they become malleable, bending them in a way that retains a sense of the body’s traces. The plinth, meanwhile, is coated in coloured vinyl, its flattened aesthetic recalling not only the early twentieth century abstraction of Russian artists like Malevich and Rodchenko (Peel is herself Russian and lives and works in the UK), but also their appropriation in contemporary branding, in what Peel calls “the institutional fate of the avant-garde.” Peel is particularly interested in the writings of Polish sociologist Zygmunt Bauman, whose definition of ‘liquid modernity’ – the fluid and amorphous condition of contemporary society, as opposed to the old certainties of the past – might be embodied in that wave of Perspex, shimmering and disappearing in the light.

Text by Ben Street

ARTICLES

Darwen Graduate wins place in New Sensations show at Saatchi Gallery
Thursday 30th August, Lancashire Telegraph

A DARWEN art student’s sculptures created with the help of a Blackburn firm have been featured in a display at the Saatchi Gallery in London.
Natasha Peel, 21, is one of 20 artists featuring in the New Sensations exhibition for young artists in October, having beaten competition from more than 800 entries.
The Blackburn College graduate, who studied fine art at Oxford University, created a series of plastic sculptures aimed at subverting the branding of major institutions, such as Goldman Sachs and HSBC.
The sculptures were created using equipment from Blackburn-based Silicone Engineering Ltd, who sponsored Natasha’s work.
She said: “The show is part of the Freeze exhibition, and they have have big shows like this in a lot of countries.

Read the entire article
lancashiretelegraph.co.uk



Natasha Peel
Artist Statement

I grew up in Russia until the age of nine until moving to the North of England. I utilize industrial resources that I have access to at home in my practice. I have an obsession with elasticity and malleability of material, especially heat-treated perspex. In my work I attempt to twist the language of corporate brands, who themselves appropriate the historical avant-garde (i.e. constructivism and suprematism) – a similar formalist utopianism now serving neoliberal capitalism.

Read the entire article
saatchi-gallery.co.uk