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Dealers and Galleries Home REGISTER TO DISPLAY YOUR GALLERY'S PROFILE EDIT YOUR GALLERY'S PROFILE

Grossetti Arte Contemporanea

Rodolfo Aricò
Rossella Bellusci
Antonio Calderara
Davide Cantoni
Roberto Caracciolo
Nicola Carrino
Walter Cascio
Enzo Castagno
Giacinto Cerone
Jerry Lee Cibilic
Roberto Crippa
Dadamaino
Gianni Dova
Lucio Fontana
Raul Gabriel
Salvatore Garau
Marco Gastini
Raimund Girke
Hans-Hermann
Piero Manzoni
Andrea Massaioli
Fausto Melotti
Umberto Milani
Carmengloria Morales
Maria Morganti
Mario Nigro
Daniele Nitti
Lucio Pozzi
Claudio Olivieri
Sergio Ragalzi
Roberto Rizzo
Dim Sampaio
Arcangelo Sassolino
Sean Shanahan
Giuseppe Spagnulo
Valentino Vago
Michael Wesely

Milan

Italy
Address:
Via di Porta Tenaglia 1/3
20121
Phone: (+39) 02 29 06 21 28
Fax: (+39) 02 29 01 47 67
Website: www.grossettiart.it


Gallery/Dealer Photos (2)

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Sample Art Work (10)

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Current Exhibitions

CARMENGLORIA MORALES. PITTURA
February 15th - March 13th 2007


Forthcoming Exhibitions

RODOLFO ARICĂ’ 1964-1970.
La Pittura si fa Forma.
Carte Progetto e tele sagomate dalla collezione Carlo Grossetti

Opening: March 28th 2007


ENZO CASTAGNO. NOTTURNO

Opening: April 18th 2007


Exhibition Photos (2)

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Art Fairs

Art Cologne
Arte Fiera Bologna
Miart
Cornice Art Fair, Venice


Press Releases

CARMENGLORIA MORALES. PITTURA

"I paint every day: with my brush in my Studio; with my words in the school
where I try to teach to think in painting terms. I paint in silence, in the
museum where I walk indifferent, I paint when I listen to music, when I
travel. I paint when I look at and forget painting." (1986)

These words were written by Carmengloria Morales years ago.

In this second solo exhibition of hers in our Gallery in Milan, Carmengloria Morales
presents her latest paintings on canvas, executed in the line of the diptych and the circle, persistent forms in the work of the painter.

Morales has employed the diptych as an emblem for making paintings since 1970.

"I work on the principal elements of painting – the act of painting and its historical authenticity (self-awareness), their reciprocity and circularity. The diptych constitutes (and it is made of) a need for equivalence, for a unity of value of the parts despite their difference for one of them being painted and the other one not; but those parts insist on the same sense and in the same time. They compete for the composition of one painting on... [ Read all ]


Contact-Directors/Staff

Director: Bruno Grossetti
Assistant: Carlo Misani


Opening Times

From Tuesday to Friday:
10.30 am - 19.30 pm

Saturday: 14.00 pm - 19.30 pm
Monday: on appointment only