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Forthcoming Exhibitions - De La Warr Pavilion

Cerith Wyn Evans
17 March – 10 June 2012

Using Cerith Wyn Evan’s ongoing investigation of architecture as a starting point, and specifically curated as a response to the De La Warr Pavilion, the exhibition will consist of three major installations and smaller new works dispersed throughout the building. Taking the entire Pavilion as an opportunity for installation, including our two gallery spaces and the roof-terrace, the exhibition will provide the impetus for a wider programme of related live art, music, performance and film.

The artist will strip back the Pavilion’s gallery spaces so that they are for the first time undivided. With all windows revealed, the installation explores the relationship between manmade and natural light and returns the building’s structure to its original purpose – as a space for visitors to experience and enjoy. Described by the artist as “a love letter to the building”, the exhibition will embody many recurrent themes within Evan’s art: including code, language, text and an interrogation of aesthetics.

On the rooftop will be a new text firework installation.

Richard Wilson
1 May 2012 - 1 September 1012

The De La Warr Pavilion is pleased to announce its 2012 Rooftop Commission by artist, Richard Wilson.

Based upon the iconic final scene of the 1969 film The Italian Job, in which a coach containing gold bullion and a gang of robbers hovers precariously over a cliff, Hang On A Minute Lads, I’ve Got a Great Idea expands this myth and spectacle on the rooftop of an equally iconic building.

The title of the work is taken from the final sentence of the film, spoken by actor Michael Caine as he attempts to devise a method of saving both gold and his fellow conspirators from tipping into a steep alpine valley. Theories as to how such a predicament could be solved has given rise to ongoing debate for over forty years. As the camera pans away from the treacherous scene, we hear the throng of male voices singing "We are the Self Preservation Society", a song closely associated with the England football team of the time which, alongside the film’s use of the Minis as get-away cars, contributes to The Italian Job's status as a classic, seminal British film.

Richard Wilson’s fascination with this subject echoes the artist’s previous works where the concept of the ‘what if’ is brought to reality, often defying formal notions of architecture and engineering, bringing thought-provoking, gravity-defying and on occasion, humorous spectacles to life. Key works include 20:50 (1987), a waist-deep installation of oil, was heralded as “one of the masterpieces of the modern age” by the Guardian, Turning the Place Over (2007), a Liverpool Year of Culture commission and Slice of Reality (2000), a section of ship moored near the Millennium Dome, cut vertically to show its cross-section. These works are beautiful; spectacular in their high precision engineering and conceptual brilliance.

Hang on a minute lads, I've got a great idea is part of the London 2012 Festival, the finale of the Cultural Olympiad.

The model of the sculpture was on display at the Royal Academy of Arts until recently.

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