•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
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Exhibitions - Los Angeles County Museum of Art

Magritte and Contemporary Art: The Treachery of Images
Magritte and Contemporary Art: The Treachery of Images is the first major exhibition to explore the impact of Belgian surrealist artist René Magritte's (1898-1967) work on U.S. and European artists of the post-war generation. Featuring sixty-eight paintings and drawings by Magritte, including many international loans of his signature works, and sixty-eight works in diverse media by thirty-one contemporary artists such as Richard Artschwager, John Baldessari, Vija Celmins, Robert Gober, Jasper Johns, Jeff Koons, Ed Ruscha, and Andy Warhol, the exhibition examines the different and sometimes unconscious ways that pop, conceptual, and post-modern sensibilities have referenced Magritte's ideas and imagery. In addition, the exhibition installation is specially designed by conceptual artist John Baldessari and includes an inventive presentation that is playful and humorous, yet provides a deep visual understanding of Magritte's work. Magritte and Contemporary Art: The Treachery of Images is on view at LACMA from November 19, 2006, through March 4, 2007, and will not travel to other venues.
Co-curated by Stephanie Barron, LACMA Senior Curator of Modern Art, and Michel Draguet, Director of the Musées Royaux des Beaux-Arts de Belgique, with cooperation from the Magritte Foundation, 
Magritte and Contemporary Art: The Treachery of Images goes beyond overt analogies between the work of Magritte and contemporary artists to explore the more idiosyncratic and subtle connections of visual, thematic, and philosophical references. Looking at works in a range of media from a number of decades, the exhibition reveals the ways in which Magritte's visual vocabulary and artistic strategies have seeped into our culture, and demonstrates how his subversive juxtaposition of words and images, flat painting style, and constant exploration of perception have profoundly affected subsequent generations of artists. The exhibition features works by contemporary artists Eleanor Antin, Art and Language, Richard Artschwager, John Baldessari, Mel Bochner, Marcel Broodthaers, Vija Celmins, Robert Gober, Philip Guston, Douglas Huebler, Jasper Johns, Ray Johnson, Mike Kelley, Martin Kippenberger, Jeff Koons, Joseph Kosuth, Barbara Kruger, Sherrie Levine, Roy Lichtenstein, Claes Oldenburg, Raymond Pettibon, Sigmar Polke, Richard Prince, Robert Rauschenberg, Charles Ray, James Rosenquist, Ed Ruscha, David Salle, Jim Shaw, Andy Warhol, and Lawrence Weiner.
At the center of the exhibition is LACMA's Magritte masterpiece — The Treachery of Images (This Is Not a Pipe), (1929) — a seminal painting and popular cultural icon.

This exhibition was organized by the Los Angeles County Museum of Art and is presented by Lexus. It was supported in part by the National Endowment for the Arts and the Frederick R. Weisman Philanthropic Foundation. In-kind media support for the exhibition was provided by CBS/Decaux and 89.9 KCRW. In-kind support for the exhibition was provided by The Beverly Hilton. This exhibition was supported by an indemnity from the Federal Council on the Arts and the Humanties.

Picasso's Greatest Print: The Minotauromachy in All Its States

The Los Angeles County Museum of Art (LACMA) presents Picasso’s Greatest Print: The Minotauromachy in All Its States, a groundbreaking exhibition of Pablo Picasso’s etched masterpiece, Minotauromachy (1935). On view together for the first time in the U.S., the eight etchings that comprise this focused exhibition (the print’s seven states, plus a second impression of the seventh state, hand-colored) represent the only existing suite of all the states of Minotauromachy. Together, they offer a remarkable opportunity to trace Picasso's creative process through the evolution of a single, complex image—one that gradually unfolds from bold conception to glorious fruition.
“We are pleased to have this monumental suite of prints on exhibit exclusively at LACMA,


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