NEW SENSATIONS 2012

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Camilla Bliss Born in United Kingdom. Lives in: London Brighton University The Multi-sensory connection with space is fundamental to phenomenological architecture. It suggests a philosophy where the ‘building does not function in the second dimension, or third dimension, but the fourth; that of time,’ relating to a path between subjects. It is these paths that become the relevant topic of my work, as they hold the essence of our sensory perception. The sculptures I make act as a catalyst to stimulate a wider pervading space beyond the gallery wall. I do not want my sculptures to remain purely physical, but to enter a new territory and bodily realm of the spectator.

Artist photo

Work of art I would like to make I would like to create a piece of work that pushes the boundaries of the gallery walls. This may be partially physical, but continued by implication, and finally driven further by the minds of the spectators. I would like to keep in mind our unfocused vision that can be acknowledged in our peripheral sight. Its presence is very important in the experience of a fully embodied sensation. ‘Peripheral vision integrates us with space, while focused vision pushes us out of the space and makes us mere observers.’ I always like to work with the architecture of the given space, as I do not believe one can be ignorant to another to achieve the multi-sensory effect I desire. I would love to create something big, fun and expressive, working on many levels both physically and conceptually. When looking at the world with a permeable surface, perhaps with the notion of pentimenti in mind we can alter our perceptions to a more fluid state of course. If we apply this concept of ‘layers’ to architecture, we gain a clearer understanding of our dissected world as cleverly constructed incisions in space. When imagining architecture in the form of a three-dimensional drawing, the physical weight of the walls is lifted. The place you stand in becomes limitless and open, especially when standing in a building on a floor that is not ground level. Your physical presence becomes light. You are almost floating in an isometric architectural drawing.

My Artworks (3) Click on the images to enlarge