ARTIST:

Dmitry Plavinsky

Dmitry Plavinsky
COMPOSITION, 1961
Canvas, oil on board
50x75

Dmitry Plavinsky
COMPOSITION, 1962
Canvas, oil on board
100x75

Dmitry Plavinsky
BUTTERFLY, 1966
Canvas, oil
100x74

Dmitry Plavinsky
THE LEAF OF LIFE, 1967
Mixed media on canvas laid down on board
99x69

Dmitry Plavinsky
STILL LIFE WITH CROSS, 1967
Canvas, oil
180x120

"I painted “Still-Life with a Cross” on the former estate of Nikolai Ostrovsky Shchelykovo. It is a large estate with a grand house, church and graveyard, where the playwright is buried. In the 1960s the church was closed, but it was kept perfectly intact, because it was under the authority of the Ostrovsky museum. The museum workers gave me the keys to the church and allowed me to work there. I was locked alone in the church, composed a piece from the objects located there and also painted there. It was uniquely beautiful and mysterious. Unfortunately, during perestroika the church was robbed and all the icons, books and religious items disappeared forever,” Dmitry Plavinsky.

Dmitry Plavinsky
CROSS, 1967
Oil/plaster on board
86x55

Dmitry Plavinsky
COMPOSITION WITH RED SPOT,
Canvas, oil, collage
50x37

Dmitry Plavinsky
COMPOSITION,
Canvas, oil on board
60x55

Dmitry Plavinsky
SHELL OF A TURTLE, 1974
Canvas, mixed media
120x90

“There exist forms and ideas which move us to reflection. For me, one of them is the form of the turtle, which, like the fish, recurs through my work. I have read a lot about turtles and know a lot about them. The Chinese consider the turtle to be the symbol of the universe, and since I am a symbolist, the shell and armor of this animal carries a far deeper meaning for me», - Dmitry Plavinsky.

Dmitry Plavinsky
COSMIC PHENOMENON OVER JERUSALEM, 2000
Canvas, mixed media
150x150

“We were in Jerusalem and one night we saw an unusual phenomenon in the sky, which only happens once in a hundred or so years – there was an enormous moon in a luminous halo, which, it seemed, enveloped the entire sky. That is how the idea for my painting, “Heavenly Occurrence Over Jerusalem,” was born. I love archeology, history, and this city is the crossroads of various religious denominations and cultures, and it is tied to many legends and biblical histories, which have accumulated and create a feeling of duality. If you look at the painting attentively, then you notice that it is entirely filled with words and letters in different languages. The entire sky, for instance, is filled with Arabic characters, excerpts from the Koran, and the city is divided into quarters – there is a Jewish and Armenian quarter, and there is a quarter where the crusaders lived. The houses in each of the quarters are decorated with scripts from the corresponding alphabets – letters in Hebrew, Latin, there are specks of Old Church Slavonic and Armenian. These elements make up the city, civilization. When I made this painting, I was fascinated with Kabbalah. If we look at the painting again, then we can read one of the names of God – each of the four letters of his name are placed sequentially across from the watch hands in the halo around the moon. The form of this work is also unusual. This is also linked to a story. Once I was sitting on a round chair and it broke. I had made “Bach’s Fugue” on that chair, along with two paintings. I really liked to paint on a circular canvas, because linear perspective doesn’t work. It’s an extremely tricky form. When we lived in New York, I was able to order a round canvas of any size, and when I thought up “Heavenly Occurrence Over Jerusalem,” I saw it as a round painting, just like that bewitching moon,” – Dmitry Plavinsky.

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