Selected works by Andro Wekua

Andro Wekua


Collage, silver foil, tissue paper, colour pencil and felt pen on illustration

36.6 x 48.2cm

Andro Wekua’s photographs and painted sculptural installations channel fragments from his own memories of childhood into mosaic-like narratives, conveying a very real but always remote sense of place. In his work, which often features an element of tiled form, it is as if broken images are being put back together, like a seductive but ultimately unsolvable puzzle. 

Sunset (2008), an eight-metre wide installation composed of 170 glazed ceramic panels supported by metal scaffolding, is an abstract composition which is also reminiscent of a landscape with softly billowing clouds and a central red and black circle representing the sun falling over a darkening ground.


Andro Wekua


Installation of 170 glazed ceramic panels, metal framework, steel scaffolding

500 x 800 x 82 cm

Primary colours dominate the work, whose painted areas are suggestive of strong but incomplete recollections typical of a dream or a long-ago experience, the details of which have become hazy over time. The scale of the work and its fired tile composition make it appear like an ominous public pool mural from the Soviet era, or a larger-than-life backdrop from a Ballets Russes production. 

Aspects of his pieces have a decidedly East European flavour. His use of geometry and his photographic montages, such as Black Sea Surfer (2004) and Covered (2006), seem to come from the visual culture of Communism, but they also feel completely embedded within a more universal underground cinema aesthetic.

Andro Wekua
Black Sea Surfer


installation in 7 parts with 3 collages, colour pencil, pencil and felt pen on paper. 4 fabrics(velours)

175 x 200 x 265 (Overall 3.5 x 8m)
Although Wekua uses representational elements in most of his works, his visual symbolism is often perplexing and self-contained. His practice develops elements inspired by both contemporary culture and by his background – he is originally from Soviet Georgia but left at the age of 15 and has since then been living in Germany and Switzerland. All that remains of his past are ruins, strangely juxtaposed with his present-day perspective.

Other Resources
Additional information on Andro Wekua
Andro Wekua's work is permeated with a form of instrumentalized fiction. The exhibition as an artistic venue brings a sense of tension to the atmosphere. The numerous mysteries are intentional. We are confronted with "Nameless Streets" or "Mary", a girl who lives in a hotel that has seen better days, apparently as a refugee, "it would have been wonderful". Wekua is a master of the hint, the refined gesture. His narrative structures are precisely flighted and yet astonishingly open. There are suggestions of stories that have already been fully told in the viewers' minds, taking up the artist's imagination. - That Would Have Been Wonderful
Andro Wekua is a master of suggestion, of small gestures. His narrative structures are deadly focused on their targets, yet remain astonishingly open. The title of the exhibition That Would Have Been Wonderful refers to a leitmotif of Wekua's work: the instrumentalization of fiction.
The artist Andro Wekua commissioned the Kunstgiesserei to produce two exactly identical figures (the “Twins”) for an installation. The basis for the model was a portrait from the artist’s childhood. A very similar looking boy was found within the Kunstgiesserei’s circle of acquaintances.
- That Would Have Been Wonderful
Neue Kunsthalle St. Gallen
Additional information and images.