Using the potency of advertising media, Kelley Walker’s prints appropriate iconic cultural images, digitally altering them to highlight underlying issues of politics and consumerism. In Black Star Press, Walker presents large-scale billboard-like canvases of racial unrest. Set at 90 degree angles, the images of a white policeman and black youth literally portray a world turned on end. Splattered with abstracted patterns in symbolic white and chocolate, Walker’s gestures mimic violence and contrast, merging ethical corruption and graffiti pop. Printed as a dyptich, Black Star Press is desensitised through repetition, replicating the multiplicity of mass media as vast fields of anesthetised brutality.