Berlinde De Bruyckere

Berlinde De Bruyckere Exhibited at The Saatchi Gallery

Berlinde De Bruyckere
K 21 (with detail)


Horse skin, horse hair, epoxy resin, iron, wood, glass

193 x 177 x 96 cm
An unsettling, reconfigured concept of the body, helpless yet contorted, takes centre stage in Berlinde de Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist is trying to wrestle a shape from abstract form. That each body, whether human or equine, stands on a plinth or inside a cabinet, as if posing for the viewer, emphasises their monumentalised objecthood and the tension between what these objects represent and what they actually are.

De Bruyckere began making work around ideas of the human figure in the early 1990s, first through its absence, stacking and draping woollen blankets on furniture, symbolising shelter and vulnerability. Then she added bodies made of wax, almost completely covered in wool; imperfect, sexless and headless.
Berlinde De Bruyckere
K36 (The Black Horse) (and details)


Polyurethane foam, horse hide, wood, iron

Overall size:295 x 286 x 158 cm
Their lack of eyes and sex emphasised the importance of seeing each body as a whole. A few years later she turned to the horse as subject, covering pseudo-anatomical works in familiar materials that inspire both a sense of nightmarish displacement and of visual comfort, of animal suffering and material abstraction.
The horse pieces are eyeless (K36 (The Black Horse), 2003) and sometimes headless too (K21, 2006). The glossiness of their skin underscores all of the things that are covered and hidden, a sensual, almost tender casing for these uncomfortable shapes.
Berlinde De Bruyckere
Marthe (and 1 detail)


Wax, epoxy, metal, wood and glass

280 x 172.5 x 119.5 cm
Marthe (2008) shows a body in duality, disgusting but still half-human, a hand found in its twig-like limbs reminiscent of Ovidian-style transformation; it too, despite its lifelike physicality, is sexless, headless, inert, a re-imagined object. “It is not because you never see a head that it looks like it has been cut off. It is, rather, that I no longer think the presence of a head is necessary. The figure as a whole is a mental state. The presence or absence of a head is irrelevant.”

Berlinde De Bruyckere's Biography

Berlinde De Bruyckere
Born in 1964, in Gent, Belgium
Lives and works in Gent


Mysterium Leib. Berlinde De Bruyckere im Dialog mit Cranach und Pasolini, Kunsthalle Wien, Vienna, Austria

Collection Antoine de Galbert, Musée des Beaux-Arts de Lyon, Lyons, France
Mysterium Leib. Berlinde De Bruyckere im Dialog mit Cranach und Pasolini,Kunstmuseum Bern,Bern, Switzerland
Mysterium Leib. Berlinde De Bruyckere im Dialog mit Cranach und Pasolini, Kunstmuseum Moritzburg, Halle, Germany
Berlinde De Bruyckere. Into One-Another. To P.P.P, Hauser & Wirth, New York NY

Une escapade d’art contemporain en Seine-et-Marne, Galleria Continua , Le Moulin,Boissy-le-Chatel, France
Hauser & Wirth Zürich, Zurich, Switzerland
Berlinde De Bruyckere – Elie, Galleria Continua, San Gimignano, Italy, San Gimignano, Italy

Berlinde De Bruyckere in dialogue with Benedetto da Maiano (1442-1497), Spedale di Santa Fina, San Gimignano, Italy
Berlinde De Bruyckere – Luca Giordano, We Are All Flesh, Hauser & Wirth, London, England

Berlinde De Bruyckere,Galleria Continua, San Gimignano, Italy
Berlinde De Bruyckere – Der Schmerzensmann, Museum Moderner Kunst Kärnten, Klagenfurt, Austria
Berlinde De Bruyckere. Schmerzensmann, Royal Academy of Fine Arts, Ghent, Belgium

Schmerzensmann, Hauser and Wirth, London
Under cover – aus dem Verborgenen. Berlinde De Bruyckere and Martin Honert, Kunsthalle Düsseldorf,Dusseldorf, Germany

Berlinde De Bruyckere. Eén, La Maison Rouge, Fondation Antoine de Galbert, Paris, France
Eén, De Pont Foundation for Contemporary Art, Tilburg, Netherlands

Hauser & Wirth Zürich, Zurich, Switzerland

Galleria Continua, San Gimignano, Italy
Maison Rouge, Paris, France

Galerie CD Christine De Ketelaere, Tielt, Belgium
Caermersklooster – Provinciaal Centrum voor Kunst en Cultuur, Ghent, Belgium

Galleria Continua, San Gimignano, Italy
Köln Skulptur- Art Cologne, Cologne, Germany
Museum van Hedendaagse Kunst Antwerpen, ‘en alles is aanéén-genaaid’, Antwerp, Belgium
Maison de quartier de Rosendael Centre, ‘C. Reybroeck, 1997’, Dunkerque, France
de Brakke Grond, ‘Aanéén-gegroeid’, Amsterdam, Netherlands

POTEN, poten zullen bomen worden,Park ter Beuken, Lokeren, Belgium
In Flanders Fields,In Flanders Fields Museum,Leper, Belgium
Aanéén-genaaid, De Pont Foundation for Contemporary Art, Tilburg, Netherlands

Tweeluik 98,Campo-Santo, Ghent, Belgium / Sint-Amandsberg, Belgium

De Slaapzaal, Kunstvereniging Diepenheim, Diepenheim, Netherlands

Tekeningen 1995-96, Vrienden van het PMMK, Oostende, Belgium

Saint-Lucaspassage, Antwerp, Belgium
Onschuld kan een hel zijn, Openluchtmuseum voor Beeldhouwkunst Middelheim, Antwerp, Belgium
Dialo(o)g II (with Federico Fusi), Das Belgische Haus, Keulen, Germany
Washington Velvets (two from Flanders), The Corcoran Gallery of Art, Washington DC

Galerie Brinkman, Amsterdam, Netherlands

Huis, Galerie Joost Declercq, Ghent, Belgium
Gemeentelijke tentoonstellingsruimte van Kasteel Blauwendael, Waasmunster, Belgium

Galerie van de Academie, Kasteel Blauwendael, Waasmunster, Belgium

Reflecting on Confinement and death, Museo Dhondt-Dhaenens, Deurle, Belgium
Galerie S. & H. de Buck, Ghent, Belgium

Galerie Fred Lanzenberg, Brussels, Belgium


Shape of Things to Come, Saatchi Gallery, London, England
Venetian and Flemish Masters, Bozar, Brussels, Belgium
Flemish Masters, That’s Life, Andrea Rosen Gallery, New York NY

Autoritratte. Artiste di capriccioso e destrissimo ingegno ritratte per gli Uffizi, Uffizi Gallery, Florence, Italy
Che cosa sono le nuvole? Artworks from the Enea Righi Collection,Museion Bolzano, Bolzano, Italy
Reference and Affinity, Kunstmuseum Luzern, Lucerne, Switzerland
The Surreal House, Barbican Art Gallery, London, England
Languages and Experimentations. Young artists in a contemporary collection, Rovereto, Italy
Gwangju Biennale 2010, Gwangju Biennale Hall, Gwangju, Korea
Nieuwe monumenten, Middelheimmuseum,Antwerp, Belgium
Ghosts, Project Space 1646,The Hague, Netherlands

Neit Normaal: Difference on Display,Beurs van Beurlage,Amsterdam, Netherlands
Le sort probable de l’homme qui avait avalé le fantôme, Centre Georges Pompidou,Paris, France
Là où je vais, je sui déjà. Le Printemps de Septembre à Toulouse, Les Jacobins, Toulouse, France
3rd MoscowBiennale of Contemporary Art, Moscow, Russia
Silence, A Selection of Works from the Collection,Kunstmuseum Luzern,Lucerne, Switzerland
A house is not a home, La Calmeleterie (private residence), Nazelles-Négron, France
Infinitum,Palazzo Fortuny,Venice, Italy
Diana und Aktaion. Der verbotene Blick auf die Nacktheit / Fatal Attraction: Diana and Actaeon – The forbidden Gaze, Compton Verney, Warwickshire, England,
Damaged Romanticism: A Mirror of Modern Emotion,The Parrish Art Museum, Southampton NY

Les Misérables, un roman inconnu, Maison de Victor Hugo,Paris, France
FuturARTextiel, Broelmuseum Kortrijk – Museum voor beeldende en toegepaste kunst, Kortrijk, Belgium
Leben? Biomorphe Formen in der Skulptur, Kunsthaus Graz, Graz, Austria
Diana und Aktaion. Der verbotene Blick auf die Nacktheit / Fatal Attraction: Diana and Actaeon – The forbidden Gaze, Stiftung Museum Kunst Palast, Dusseldorf, Germany
Academia, Chapelle de l’Ecole Nazionale des Beaux-Arts,Paris, France
The Stranger,Yvon Lambert, New York NY
After Nature, New Museum, New York NY
Damaged Romanticism: A Mirror of Modern Emotion, Blaffer Gallery, University of Houston, Houston TX
God and Goods, Villa Manin Centre for Contemporary Art,Udine, Italy
Resolution 1325, Galerie Geukens & De Vil,Antwerp, Belgium
Die Hände der Kunst, MARTA Herford, Herford, Germany
Der Eigene Weg. Perspektiven belgischer Kunst, Museum Küppersmühle für Moderne Kunst, Duisburg, Germany
Aerials of sublime transscapes,Lokaal 01, Breda, Netherlands
Actuele kunst in het, Kasteel van Gaasbeek, Gaasbeek, Belgium
Beautiful People,Centre d’Art la Panera, Lerida, Spain

ZONDER TITEL,Moussem Festival, Antwerp, Belgium
Galleria Continua / Le Moulin, Le Moulin, Paris, France
An Archaeology, The Zabludowicz Collection, London, England
Beautiful People, Fries Museum,Leeuwarden, Netherlands
Beautiful People, Crac Alsace, Altkirch, France
Berlinde De Bruyckere, Jenny Saville, Dan Flavin, Kunstmuseum Luzern,Lucerne, Switzerland
Should clouds be wasted and little fish – Berlinde De Bruyckere, Marilou van Lierop, Carla Zaccagnini, Begijnhofkerk & CC de Bogaard, Sint-Truiden, Belgium
Artempo – Where Time Becomes Art,Palazzo Fortuny,Venice, Italy
Donald Baechler, Berlinde De Bruyckere, Museum Moderner Kunst Kärnten, Klagenfurt, Austria
Bodycheck, 10. Triennale Kleinplastik Fellbach, Fellbach, Germany
Old School, Hauser & Wirth Colnaghi, London, England
Old School, Zwirner & Wirth New York, New York NY
Schmerz/ Pain, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
Timer 01, Intimità/Intimacy, Triennale Bovisa,Milan, Italy
Art Basel 2007, Basel, Switzerland
Vit (A)rti, De Kunstkas,Kemzeke, Belgium
Shelter,Kasteel het Nijenhuis (Museum De Fundatie),Heino/Wijhe, Netherlands
Waterverf,Roger Raveelmuseum, Machelen-Zulte, Belgium
Passie voor het ongrijpbare, Museum Minderbroeders,Sint-Truiden, Belgium

Chère Louise: in onore di Louise Bourgeois per il suoi 95 anni,Museo d`Arte Moderna,Ascona, Switzerland
Context Series, Part I. Fresh!, MOB – Museum of Glass, Tacoma WA
Vom Pferd erzählen, Kunsthalle Göppingen, Gottingen, Germany
Von Mäusen und Menschen, 4th Berlin biennial for contemporary art, Berlin, Germany
Ademen en Verstikken, Museum Voor Schone Kunst, Antwerp, Belgium
ARS 06, KIASMA – Museum of Contemporary Art, Helsinki, Finland
Figure it out, Hudson Valley Center for Contemporary Art, Peekskill NY
Corps étranger,Le Quartier centre d’art contemporain de Quimper,Quimper, France
BeTEKEN II, Cultureel Centrum, Hasselt, Belgium
Zoo, La Centrale Electrique, Brussels, Belgium

Pijn,Museum Dr. Guislain, Gent
War is over,GAMeC, , Bergamo
Emilie Fresco,De Noker, Mechelen
Donna Donne. Uno sguardo sul feminile nell’arte contemporanea, Palazzo Strozzi,Firenze
Fondazione Sandretto Re Rebaudengo, 'Bidibidobidiboo. La Collezione Sandretto Re Rebaudengo per i dieci anni della Fondazione', Torino
The New Space in Beijing, Galleria Continua,Beijing
Figure It Out: New Directions in Figurative Sculpture'HVCCA The Hudson Valley Center for Contemporary Art, Peekskill
Baroque-Neobaroque. The Hell of the Beautyfull, DA2 Domus Artium, Salamanca
Soul, PMMK, Oostende
Westen Wind od nieuwe accenten, Dusseldorf
La Dona Arbre, ndacio Espais d’Art Contemporani, , Girona
Soul, rootseminarie, Brugge
ICA, 'Springtide', Philadelphia PA
Palais de Beaux Arts, 'Visionary Belgium', Brussels
ARCO 2005- Project Rooms, Madrid
Assembly Projects, Bath
Nous le Passage – Poëziezomer, Watou
Rheinisches Industriemuseum, 'Flexible 4 (identities)', Euskirchen
Modern Chinese Art Foundation, 'Werken uit de Collectie & Peter Buggenhout – Berlinde de Bruyckere', Gent

Oberösterreichische Landesgalerie, 'Flexible 4 (identities)', Linz
Galleria Continua, 'De Humana Proportione', San Gimignano
Watou 2004, Watou
Fondazione Sandretto Re Rebaudengo, 'Non Toccare la Donna Bianca', Torino
MAN, 'Catastrofi Minime', Nuoro
IKOB, Internationales Kunstzentrum Ostbelgien, 'Vanitas. Eitelkeit van de iIdelheden', Eupen
'Solo Quint II’, Sint-Blasius Hospital, Dendermode
Animals,Haunch of Venison, London

Spiritus, Magasin 3, Stockholm Konstall, Sweden. Traveling to: Jonkopings Lans Museum;
Bomuldsfabriken Kunstall, Arendal, Norge; Sundsvalls Museum; Lansmuseet Gavleborg; Goteborgs Konstmuseum

Not Afraid, Rubell Familly Collection, Miami, FL
Sitings: Installation Art 1969-2002. The Museum of Contemporary Art (MOCA), Los Angeles
Biennale d’Art Contemporain de Lyon 2003,” Lyon, France
The Art of Chess, The Gilbert Collection, Somerset House, London, UK
Orange, Expression Centre d’expostion de Saint-Hyacinthe, Quebec, Canada
Twilight, London, UK
Micro Politicas. Arte en Contidianida 2001- 1968. Art and Everyday Life 2001 - 1968, EACC ESPAI
McCarthy, Paul
d’Art Contemporani de Castello, Valencia, Spain
Chang, Emin, Fisher and McCarthy, The Moore Space, Miami, Florida
(In Search of) The Perfect Lover, Staatliche Kunsthalle Baden-Baden, Germany
My Reality: Contemporary Art and the Culture of Japanese Animation, Independent Curators
International (ICI), New Traveling Exhibitions of Contemporary Art, Des Moines Art Center
Spiritus, Magasin 3, Riksutstallningar, Stockholm Konsthall, Stockholm, Sweden
The Forth Sex. Adolescent Extremes, Fondazione Pitti Immagine Discovery, Stazione Leopolda,
Florence , Italy
In Your Face, FRAHM LTD, London
Imagine, You Are Standing Here In Front Of Me, Caldic Collection, Boijmans Van Beuningen
Museum, Roterdam, The Netherlands

Plus Ultra, Kunstraum Innsbruck, Austria
Shit Plug, Paul McCarthy / Jason Rhoades, Galerie Hauser & Wirth, Zurich, Switzerland
To Eat or Not to Eat or Relationship of Art with Food in the 20th Century, Centro de Arte de Salamanca,
CASA, Salamanca, Spain
Proposition: Jason Rhoades and Paul McCarthy, Santa Monica Museum of Art, CA
Art Unlimited, Art 33 Basel, Basel, Switzerland
Blind Mirror. Selections from a Contemporary Collection, Museu de Arte Moderna de Sao Paulo, Brazil
Art After Art, Neues Museum Weseberg, Bremen, Germany
Ahead of the 21st Century. The Pisces Collection, Donaueschingen, Switzerland
Art Downtown, Wall Street Rising, New York
Cadavre Exquis, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
Fallen Heroes:Masculinity and Representation ESPAI d’Art Contemporani de Castello, Castello, Spain

Depiction, curated by Peter Pakesch for the Steirisc[:her:]bst Festival, Graz, Austria
Amused, Carrie Secrist Gallery, Chicago
ABBILD Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz
Paul McCarthy in Person, Tate Liverpool, Liverpool, England
TRANS> editions, Chac Mool Gallery, West Hollywood, CA
My Reality: Contemporary Art and the Culture of Japanese Animation, ICI Travelling Exhibition
Play’s The Thing: Critical and Transgressive Practices in Contemporary Art, Whitney Museum of
American Art, New York

Let’s Entertain: Life’s Guilty Pleasures, Walker Art Center, traveling to Portland Art Museum, Musee
National d’art moderne, Centre Georges Pompidou, Museon Rufino Tamayo, Miami Art Museum
Art at MoMA since 1980”, MoMa, New York
Video Time, survey of Videos from the Museum of Modern art, NY
The Oldest Possible Memory, Sammlung Hauser and Wirth, St Gallen

Parallel Lines: Mix and Match, Karen McCready Fine Art, New York, NY
Bloom: Contemporary Art Garden, curated by Gianni Romano, Milan, Italy
La Biennale di Venezia, 48 Esposizione Internazionale d’Arte, dapertutto, Venice
Ruralia. Maaseudun taide. Art of the Countryside, Porin Taidmuseo, Pori, Finland
Horse Play, Real Art Ways, Hartford, CT
The American Century: Art & Culture 1950-2000, Whitney Museum of American Art, New York
Lost, Ikon Gallery, Birmingham, United Kingdom
Mike Kelley and Paul McCarthy: Collaborative Works, The Power Plant Contepmorary Art Gallery,
Toronto, Canada

Presumed Innocence, Virginia Commonwealth University
Collection un autre regard, capcMusée d’art contemporain, Bordeaux
Figurative Sculpture, Patrick Painter, Inc., Santa Monica, CA
L.A. Times, curated by Francesco Bonami, Palazzo Re Rebaudengo per l’Arte Contemporanea, Guarene
New Works, Patrick Painter, Inc., Santa Monica, CA
Pop Surrealism, Aldrich Museum, Ridgefield, CT
Damenwahl: Monika Baer & Paul McCarthy, Portikus, Frankfurt am Main (catalogue)
American Presentation, The Theater of Self-Presentation, The Power Plant, Toronto, Ontario, Canada
Veronica’s Revenge, Stedelijk Museum, Sittard
Luhring Augustine, New York, NY

Performance Anxiety, Museum of Contemporary Art, Chicago
Out of Actions: Performance and the Object, Museum of Contemporary Art, Los Angeles
Sunshine & Noir. Art in LA 1960-1997, Louisiana Museum of Modern Art
Whitney Biennial, The Whitney Museum of American Art, New York
Natural Habitat, The Tannery. London, England
Observations, Ydessa Hendeles Foundation, Toronto, Canada
Deep Storage Arsenale der Erinnerung Haus der Kunst Munich, Munich; traveling to Berlin and the U.S.
Scene of the Crime, Armand Hammer Museum of Art and Cultural Center
Display, Charlottenborg Exhibition Hall, Copenhagen, Denmark
Painting - The Extended Field, Magasin 3 Stockholm Konsthall, Sweden
Tableaux, Museum of Contemporary Art, North Miami, Florida.
Un bel été, Casino Luxembourg, Luxembourg
Paul McCarthy and Benjamin Weissman, Christopher Grimes Gallery, Santa Monica, CA
Dramatically Different, Centre National d’Art Contemporain de Grenoble, France
4e Biennale d”art contemporain de Lyon, Lyon, France
Surveying the First Decade: Video Art and Alternative Media in the United States, SFMOMA, San

(nude), Trans Hudson Gallery
World Wide Video Festival, five locations in The Hague
The Garage Project, MAK Center for Art abd Architecture L.A.
Non! Pas Comme Ca!, Centre d’art Neuchatel, Neuchatel Switzerland
Sex & Crime, Sperengel Museum Hannover
Low Cool, San Francisco Art Institute, San Francisco, CA
Image of Self as Another, Porin Taidemuseo, Finland
Reel World Artists’ Fim and Video of the 1970’s, Museum of Contemporary Art, Miami, FL
Controfigura, Studio Guenzani, Milano, Italy
SAMPLER 2 - More Videos from Southern California, David Zwirner Gallery, New York
Les plastirs et Les Ombres, La Fondation pour l’Architecture, Brussels, Belgium
Vito Acconci videos performances viewing Fresh Acconci, Antheneum Campus Universitaire, Dijon,
Portraits, Ydessa Hendeles Art Foundation, Toronto, Canada
Comic Depiction of Sex in American Art, Galerie Andreas Binder
The Paranoid Machine, Shoshana Wayne Gallery, Los Angeles
Everything That’s Interesting Is New, Athens School of Fine Arts, Athens, Greece
Art at Home: Ideal Standard Life, Tokyo, Japan
Exposure, Luhring Augustine, New York
From Figure to Object: A Century of Sculpture’s Drawings, Frith Street Gallery and Karsten Schubert,
Shit, Baron/Boisante Gallery, New York, NY
a/drift: Scenes From the Penetrable Culture, Bard Center for Curatorial Studies, New York
Popcultural, South London Gallery, London, England.
Paul McCarthy, Paul Noble and Allen Ruppersberg Jay Gorney Modern Art, New York
Romper Room, Thread Waxing Sapce, New York

Kelley, McCarthy, Nauman, West, David Zwirner Gallery, New York
Murder, Thread Waxing Space, New York
Toys, Galerie Jousse Seguin, Paris
Sites of Being, Institute of Contemporary Art, Boston
The Raw, Postmaster Gallery, New York
Video Screening Painter and “Heidi, Cinematheque, San Francisco, CA
New Visions for Historic Neighborhoods, Weingart Galleries, Occidental College
Stereo-Tip, Soros Center for Contemporary Arts, Ljubljana, Slovenia
Femininmasculin:le sexe de l’art, Musee National d’Arte Moderne, Centre Georges Pompidou, Paris
Video News, the American Center
Collisions, Arteleku, San Sebastian, Spain
Familiar Places, Institute of Contemporary Art, Boston
infamie Autres vicoires, Montlucon,Chateau de la Louvire, France
Marcel Broodthaers — Correspondence, Gallery Hauser & Wirth, Zurich, David Zwirner, New York
LA International, Correspondence, Track 16 Gallery, Santa Monica, CA
New History of the Infamy, FRAC Auvergne, Montlucon, France
Fuori USO’95, Associazione Culturale Arte Nova, Pescara, Italy
Le Mille e una Volta, Galleria d’Arte Moderna e Contemporaenea, Repubblica Di San Marino
Identita e Alterita, The Venice Biennial
Collection, fin XX Five Separate locations, in conjunction with FRAC, Poitou-Charentes, France
Whitney Bienniel, Whitney Museum of American Art, New York
Mike Kelley and Paul McCarthy, Curates by Stephen Schmitt-Wolfen, Kunstverein, Hamburg,
Bruce Nauman, Mike Kelley, Franz West and Paul McCarthy, David Zwriner, New York
Endurance, Exit Art, New York

Luhring Augustine, New York
Galleri K, Oslo
Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art; Blaffer
Gallery, University of Houston; Snug Harbor Cultural Center, Staten Island Porch Gallery,
Amsterdam (three-person exhibition with Mike Kelley and Charlemagne Palestine)
Dirty, John Good Gallery, New York
GIFT, The InterArt Center, New York
Hors Limites, Centre Georges Pompidou, Paris
Transformers, travelling exhibition through 1997
Museo Nacional Centro de Arte Reina Sofia, Madrid
Oh boy, it’s a girl, Kunstverein Munchen, Munchen
Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid
Sculpture, Luhring Augustine, New York
Galerie Asbaek, Copenhagen, Denmark, Daniel Oates, Lincoln Tobier, Larry Johnson, Jeff Wall, Dan
Graham, Richard Prince, Meyer Vaisman, Rodney Graham and Paul McCarthy
Altered, Two-person show, Rudolf Schwarzkogler and Paul McCarthy, Austrain Cultural Institute, New
Paul McCarthy - Mike Kelley - Charlemagne Palestine - Dirk Larsen Torch Gallery, Amsterdam, The
Kus Me Kus Me Zeeman De Vishal, Haarlem, The Netherlands
[cut] - Los Angeles - 90’ernes kunstscene, Kunstforeningen, Copenhagen, Denmark

Privacy, Spazio Opos, Milan, January
Poliset, Centrovideoarte-Palazzo Diamanti, Ferrara
I am the Enunciator, Thread Waxing Space, New York, Kunstelerhaus Bethanien, Berlin
The Elegant, The Irreverent, and the Obsessive: Drawings in Southern California, Visual Art Center,
California State University, Fullerton, CA
The Eidetic Image: Contemporary Works on Paper, Kramer Art Museum, Champaigne, IL; Newport
Harbor Art Museum, Champaigne, Il; Newport Harbor Art Museum of Art, Newport Beach, CA;
Everson Museum of Art, Syracuse
The Mere Interchange, Aperto ’93, Venice Biennale, Venice
Sonsbeek, Arnhem, The Netherlands
Action/Performance and the Photograph, Turner/Krull Gallery, Los Angeles
United Film Project, Firminy, France
Mr. Serling’s Neighborhood, Christopher Grimes Gallery, Santa Monica
The Language of Art, Kunsthalle Wien, Wien
Drawing the Line Against AIDS, Guggenheim Museum SoHo, New York
Sampler: Southern California Video Collection, David Zwirner Gallery; Studio Guenzani, Milan;
Galerie Daniel Buchholz, Koln
Everyday Life, Kim Light Gallery, Los Angeles

Helter Skelter: L.A. Art in the 1990s, Museum of Contemporary Art, Los Angeles
Roy Dowell paintings, Paul McCarthy drawings, Renee Petropoulos studies, Rosamund Felsen Gallery,
Los Angeles
Paul McCarthy, Joyce Pensato, Arnulf Rainer, Luhring Augustine, New York
Post Human, FAE Musee d’Art Contemporain, Lausanne; Castello di Rivoli, Torino; Deste
Foundation for Contemporary Art, Athens; Deichtorhallen Hamburg, Hamburg
Galerie Max Hetzler, Koln
Rosamund Felsen Clinic and Recovery Center, Rosamund Felsen Gallery, Los Angeles
Into the Lapse, 1301, Santa Monica, July-August
Strange Developments, Anthony d’Offay Gallery, London, September-October, Jack Hanley Gallery,
San Francisco, November
Lax, Galerie Krinzinger, Vienna, November

Ovarian Warriors vs. Knights of Crissum, Parker Zanic Gallery, Los Angeles; Sue Spaid Fine Arts, Los
The Body, Simon Watson, New York
The Body (2), The Renaissance Society at the University of Chicago, Chicago
Someone or Somebody, Meyers/Bloom Gallery, Santa Monica
The Family Romance, Simon Watson, New York
Video Violence, Ars Electronica, Ling, Austria
Quick Coagulation Forms the August Corpse, Rosamund Felsen Gallery, Los Angeles
Presenting Rearwords, Rosamund Felsen Gallery, Los Angeles
Ha-Ha, Roy Boyd Gallery, Santa Monica
Body and Body, Grazer Kunstverein, Graz, Austria

New California Video: A Survey of Open Channels, 1985-90, Long Beach
Past and Present: Selected Works by Gallery Artists, Rosamund Felson Gallery, Los Angeles

L.A. Freewaves, American Film Institute Video Festival and area-wide screenings, Los Angeles

Open Channels Video, Long Beach Museum, Long Beach
Tactical Positions, Los Angeles Contemporary
New Works on Paper, Rosamund Felsen Gallery, Los Angeles

B&W Drawings, Los Angeles Institute of Contemporary Art, Los Angeles

Contemporary Eccentrics, Edge Gallery, Los Angeles
Assault Video, Anti Club, Los Angeles

13/14 Artist Out of Line, Gallery 8336, Los Angeles
Video by Performance Artists, Hallwalls, Buffalo

Works by Richard Newton and Paul McCarthy, Exile Gallery, Los Angeles
Video Tapes America, American Center, Paris