Beautifully stylised and helplessly satirical, Singh’s oil works appear to be preoccupied by the absurdity of social notions of rest at a time of incredible unrest. Singh’s large scale paintings on linen depict figures of leisure wrestling with the oddities of the artificial water pool and inflatable rubber rings. Mocking them for their idleness, Singh depicts a landscape as far removed from reality as appears possible and in so doing draws attention to possibilities of social escape during a time of heightened violence. The Lazy River is an amusing work of tired and exhausted figures haplessly floating as they rest upon inflated clouds of white cushions.
Singh paints some of the absurdity and tormented anguish that hides beneath her holiday makers as they attempt to forget themselves in the tranquillity of their new found pleasures. In Singh’s works, the false security suggests her subject’s futile pursuit for happiness. Annie is a work in which a figure appears to plunge into the water behind a distorted face pressed to the canvas. The unresolved figure stretched out on the undulating water appears to have been borrowed from recent culture and suggests that Singh is commenting on the current state of affairs.
The Dreamer is a work that recalls the routine of hotels, including the towel, the lounger and the pool exercises. Animated side by side these larger than life men of leisure push up against the water as they are instructed to turn and thrust through the water while the sun pours over them. These figures are riddled with unresolved faces that appear to float in between them on the water. Singh’s main subjects in the water appear to be replicas of each other.