Guangyi’s Materialist’s Art is exemplary of a new "cultural revolution". The dramatically outlined figures brandishing red book gospel, set against flat planes of colour, are rendered in a style specific to Chinese government issue posters of the late 60s and early 70s. Emblazoned with the words " Materialist's" and "Art" the messaging is both condemnation and incitement, a statement of radicalisation and power, repositioning the aesthetics of totalitarian authority as a signifier of absolute and extravagant decadence.
Guangyi’s Aesthetics of War - Blue No. 3 operates as a dual narrative. Combining the graphic styles of comic books and instructional manuals with scrawled blackboard-like text his work points to a visual analysis that's equally personal and pedagogical. Rendered in X-ray tones, his tableau is situated in the realm of science fiction and adventure, giving a sense of toxicity and danger to the pop motifs and generic script, questioning the implications of public images as coded messages and the tacit role of the artist as producer.