Education - Ba~Ca Kunstforum

Education - Ba~Ca Kunstforum

Flashback: to the year 1980. With the idea and backing of the popular Viennese actor Heinz Conrad, the first exhibitions were organised in the former counter hall of the Österreichische Creditanstalt für Handel und Gewerbe (Austrian Bank of Trade and Commerce), premises built in 1914 and then standing empty. The curtain-raiser was a comprehensive show on Austria’s cultural and intellectual history from 1880 to 1980: “Aufbruch in die Moderne” (Starting out into the Modern Age), curated by Rupert Feuchtmüller and organised by Ivo Stanek, boasted straightaway the proud statistic of 28,000 visitors.

The occasion for this project was the Länderbank’s centenary. And the subsequent exhibitions, such as “Fotografis” – a presentation of the superlative photograph collection of the Länderbank, as it was then called – also proved to be great attractions for the public. The success of these exhibitions was as surprising as it was overwhelming, so that the director of the Länderbank and later Federal Chancellor Franz Vranitzky initiated a resolution to set up a permanent exhibition venue oriented on international standards – the Länderbank Kunstforum was born, and the present director of the Albertina, Klaus Albrecht Schröder, was its first director.

Trendsetter Kunstforum
In 1988, the Austrian star architect Gustav Peichl was commissioned to design the first reconstruction of the Kunstforum, making it the most modern exhibition building in Austria at the time. The re-opening was in March 1989 with “Egon Schiele und seine Zeit” (Egon Schiele and his Time). This exhibition attracted 186,000 visitors and was successful not only in Vienna; it created a sensation on tour in London, Munich and Wuppertal. The Schiele exhibition in the Kunstforum was the first major debut of the then little known Leopold Collection; it thus functioned as a booster for the Austrian Republic to purchase the collection and set up the present-day Leopoldmuseum.

Ever since this time, the objective of the Kunstforum has been very clearly defined: the presentation of international top exhibitions on classical modern art and its forerunners: Schiele, Kokoschka, Turner, Van Gogh, Cézanne, Picasso, Miró, Malevich, Schwitters, Kandinsky, Lempicka and many more. Ingried Brugger took over as director of the Kunstforum in 2000 and since then the programme of the exhibition premises on Freyung has included major theme exhibitions designed to foster an in-depth, or fresh understanding of modern art (“Kunst und Wahn” – Art and Delusion – “Rot in der russischen Kunst” – Red in Russian Art – “Jahrhundert der Frauen” – The Woman’s Century – “Mythos Großstadt” – The Myth of the Great City – “Nolde und die Südsee” – Nolde and the South Seas – “Futurismus – Radikale Avantgarde” – Futurism – Radical Avant-garde – “Superstars – Von Warhol bis Madonna”), as well as the presentation of the Austrian and international avant-garde since 1945 (Arnulf Rainer, Adolf Frohner, Christian Ludwig Attersee, Karel Appel, Roy Lichtenstein).

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