Exhibitions - PS1 Contemporary arts centre - New York

Current Exhibitions:

October 29, 2006 - January 15, 2007

(Long Island City, NY – August 11, 2006) P.S.1 Contemporary Art Center is pleased to present Defamation of Character, an international group exhibition exploring the iconoclastic impulse as an engine of recent creative progress. It draws primarily from work created in the post-punk era by approximately thirty artists, and explores the relationships between face and fame, notoriety, disclosure, and erasure. Some of the artists mine popular culture to produce scathing or defamatory indictments of consumer mores; others take the moral corruptions of public and political acts as their defamed subject; and others practice detournement—using elements of well-known media to create new work with a different or opposing message—to elevate injury and injustice into the realm of high art. Defamation of Character will be on view in the first floor Main Gallery from October 29, 2006, through January 15, 2007.

The cradle of much of this aesthetic impulse is England, where pop culture and anti-establishment attitudes have thrived concurrently. The progenitor of this position may be the British artist Richard Hamilton (b. 1922) whose body of work created in response to the so-called dirty protests in Northern Ireland speaks to the political defamations of the notorious Maze prison in the stylized language of pop. Fed through the language of punk and the graphic design of Jamie Reid (b. 1947) such attitudes became the form of the Young British Artists generation, represented here by works from Jake and Dinos Chapman (b. 1966/62), Sarah Lucas (b. 1962), and recently Adam McEwen (b. 1965).

In America much of this confrontation took place with modernism itself. Key moments include Andy Warhol’s oxidation paintings which had the artist literally taking a piss on the flat mantle of Modernist abstraction, Richard Prince’s (b. 1949) painted jokes which literally made a clichéd joke of painting, and Christopher Wool’s (b. 1955) self-effacing erasures of his own facility. Incorporating the perspective of feminism in their work Sue Williams (b. 1954), Kathe Burkhart (b. 1958), and Karen Kilimnik (b. 1962) take celebrity and the name of the celebrated father in vain.

Defamation of Character also features Matthew Barney’s (b. 1967) Vaseline portrait of Julianne Moore as a Mirabella magazine zombie, Hélio Oiticica’s (1937-80) cocaine Hendrixes and Glenn Ligon’s (b. 1960) dead neon America. Documented actions and interventions such as Gordon Matta-Clark’s (1943-78) BB gun window blow out, Gianni Motti’s (b. 1958) appearance at the VIP box of the French Open wearing an Abu Ghraib-style hood, and Chris Burden’s (b. 1946) TV hijack, will be seen alongside works by Dan Colen (b. 1979) and Nate Lowman (b. 1979) whose hijacked landscapes have become vehicles for the slanders and libels of a malignant culture of pollution, racial slurs, and tarnished reputations.

Defamation of Character is organized by P.S.1 Curatorial Advisor Neville Wakefield.

October 29, 2006 - January 15, 2007

(Long Island City, NY – September 14, 2006) P.S.1 Contemporary Art Center is pleased to present The Gold Standard, on view in the Kunsthalle from October 29, 2006 through January 15, 2007. All of the works in the exhibition are gold in color, and deal with the iconographic complexity of gold. The exhibition examines the idea that otherwise uninflected objects, through material and surface transformation, become objects of desire, expanding upon and negotiating the chimerical presence—both materially and symbolically—of gold. Themes such as alchemy and religion, symbols of power and wealth, the ostentatious and the sublime, are also of chief concern. The exhibition includes historical figures alongside younger artists, and numerous works commissioned especially for The Gold Standard.

The formal groundwork or strategies that seem most urgent for these artists raise questions of substitution, doubling, copying, decoys, and spectacle in relation to a material that has, as its base, a sense of unrelenting authenticity and power, a fantastical foundation for exchange—both literally in an economic sphere, and in a more general social sense.

The artists in the exhibition include: John Armleder, Andisheh Avini, Barry X Ball, Marcel Broodthaers, Tim Davis, Thomas Demand, Jessica Diamond, Sylvie Fleury, Felisa Funes, Piero Golia, Wayne Gonzales, Kent Henricksen, Thomas Hirschhorn, Fred Holland, Alfredo Jaar, Annette Kelm, Terence Koh, Yayoi Kusama, Louise Lawler, Daniel Lefcourt, Sherrie Levine, John Miller, Geof Oppenheimer, Mai-Thu Perret, Paul Pfeiffer, Seth Price, Rob Pruitt, David Ratcliff, Tim Rollins and K.O.S., Haim Steinbach, Sturtevant, Vincent Szarek, Wolfgang Tillmans, Kelley Walker, James Welling, and Eric Wesley.

The Gold Standard is organized by Walead Beshty and P.S.1 Curatorial Advisor Bob Nickas.

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