About

This exhibition showcases four award-winning photographers and filmmakers undertaking ground-breaking work in their practices of eco-conscious photography and film. With a particular focus on their relationship with materials, process and methodologies, their works marry both the political and the poetic.

Exhibiting artists: 

Almudena Romero uses photography to explore ways of representing, seeing, and understanding. Romero’s works focus how art shapes perception, using naturally occurring photographic processes including photoperiodicity, photobleaching and photosynthesis.

Edd Carr’s material-led practice focuses on creating and utilising sustainable alternatives to photographic processes. He uses these methods create films that comment on the human relationship to ecological crisis and the mass extinction of life, and the resulting trauma we face as a species.

Hannah Fletcher works with organic matter such as soils, algae, mushrooms and roots which she transforms into photographic mediums and surfaces. She incorporates waste from her studio back into her work, contributing to a cyclical system of making.

Scott Hunter‘s practice fuses photography, sculpture, and installation. His work focuses on developing alternative approaches to the toxic methods of analogue photography by exploring the origins of raw materials and their symbiotic relationships within the construction of images.

This exhibition is supported by Pasqua Wines

About

Showcasing a series of works by the 2023 Robert Walters UK New Artist prize winner Sofia Laskari, Body and Flesh invites the viewer to consider the physical and mental challenges we face as individuals.

Laskari’s work is deeply personal, offering a relatable exploration of the human experience. In this series of paintings, she experiments with vibrant colours and textures to present vast surfaces of painterly flesh. Her often claustrophobic images – where powerful self-portraiture dominates in ambiguous recurring interiors – address feelings of isolation, distress, rage and vulnerability.

Body and Flesh is Laskari’s debut solo exhibition. She recently graduated with a BA in Fine Art and has previously exhibited in group shows at APT Gallery, SPG Galleries, RBSA Gallery and London Biennale 2023.

About

Fostering collaboration and solidarity among women in the arts, Standing on the Shoulders of Giants aims to platform emerging and established Dutch female artists. The exhibition draws inspiration from the rich history of giants like Rachel Ruysch and Saar de swart with a clear intent to reshape the narrative for the current and future generations of women artists. 

Exhibiting artists: 

Janine van Oene
Iriée Zamblé
Krystel Geerts
Simone Albers
Wieteke Heldens
Maria Roosen
Anne von Freyburg
Lisa Šebestíková
Anya Janssen
Louise te Poele

Curated by Louise te Poele

Exhibition Partners

The show is a collaboration between Saatchi Gallery, SMAG Foundation (artistic director Louise te Poele and business director Lotte Rosier).

Supported by the Dutch Embassy UK, Mondriaan Fund, Stichting Voor Vrouwen Door Vrouwen, Collection Rijksmuseum Amsterdam, and other funding partners.

Visit: https://sotsog.nl/ 

About

Rong Bao Is Me pays testament to Bao’s playful transformation of familiar objects through sculptural practice, prompting us to question our perception of the physical world. The exhibition will invite sensory interactions between audience and artwork, creating a playground of gestures that poke fun at the absurdity of posing order on society. Viewers should prepare to connect with their mischievous sides and participate in a world that pushes the boundaries of acceptability.

 
ABOUT RONG BAO

Bao has earned recognition on both national and international platforms. Notably, she was selected as one of the Top 10 emerging artists for the China UCCA Lab x Perrier New Emerging Artists and shortlisted for New Contemporaries 2022. In 2023, Bao secured the coveted theCOLAB / Royal College of Art / Yorkshire Sculpture Park Award. She recently received the Gilbert Bayes Prize 2024 awarded by the Royal Society of Sculptors and the Connections Through Culture 2023 grants program awarded by the British Council.

 

INSTALLATION VIEWS

Pre-booking is advised, but some tickets will be available for purchase at the Gallery each day.

EXHIBITION ADMISSION – Monday to Sunday

Price with Donation
General Admission:                   £19.50 (£17.50 without donation)
Concession*                              £11 (£10 without donation)
Family**                                     £50 (£45 without donation)
Children under 6 years:            Free entry when accompanied by an adult ticket holder

*Students, Seniors 65+, or children 6-16 yrs. Valid proof of status must be presented upon entry if requested.
**2 adults & 2 children under the age of 18

Free Access for Carers
A carer accompanying a ticketholder with accessibility needs will be admitted free alongside the ticketholder. Both parties should enquire with staff upon arrival.

GIFT AID 

As a charity, we rely on the generosity of our visitors, members and sponsors to support our charitable mission.

Our tickets page will present you with the option to opt into the government’s Gift Aid scheme which enables us to claim an additional 25% on the full value of your ticket.

If you are a UK taxpayer, choosing Gift Aid means that for every £1 you pay, we can claim an additional 25p from HM Revenue and Customs. To support Saatchi Gallery in this way, please complete a Gift Aid declaration form before you complete your ticket order. 

EXHIBITION OPENING HOURS

Monday – Sunday:                           10am – 6pm
Last Entry for exhibition:                4.30pm

INFORMATION FOR YOUR VISIT

The following items are not permitted within the exhibition spaces: Large bags, luggage, scooters, food and drink (except water in bottles)

This exhibition includes an audio guide. Please bring a set of headphones and look out for the QR codes throughout the show to activate the experience during your visit.

About

This exhibition marks the largest exhibition ever mounted in the 40+ year career of world-renowned photographic artist, Edward Burtynsky, who has dedicated his practice to bearing witness to the impact of human industry on the planet.

Curated by Marc Mayer, former Director of the National Gallery of Canada and Musée d’art contemporain de Montréal, the exhibition features 94 of Burtynsky’s large-format photographs as well as 13 high-resolution murals, and an augmented reality (AR) experience.

A centerpiece of the exhibition is the immersive film presentation of In the Wake of Progress (2022).  A never-before-seen element in this exhibition, referred to as the “Process Archive,” will also showcase Burtynsky’s navigation through each of the technological shifts in the photographic medium that have occurred over recent decades. The exhibition reveals Burtynsky’s lifelong observation of humanity’s incursion into the natural world and the environmental consequences of industrial processes. 

Edward Burtynsky: “I have spent over 40 years bearing witness to how modern civilization has dramatically transformed our planet. At this time, the awareness of these issues presented by my large format images has never felt more urgent. I am grateful to be mounting the largest exhibition of my career at Saatchi Gallery in London, UK and I hope the exhibition experience will continue to provide inflection points for diverse conversations on these issues and move us all to a place of positive action.”

We acknowledge the support of the Canada Council for the Arts

As part of the ‘Burtynsky: Extraction/Abstraction’ exhibition, Saatchi Lates offer Art After Dark on selected Fridays from 6.30PM – 9PM.

26 April

Threads of Change: Art, Conversation, Action

Edward Burtynsky’s striking images ask us what we can do collectively to confront the ongoing climate crisis. In an act of collaborative making, participants at this workshop are invited to create a large-scale artwork using recycled materials whilst openly discussing these global issues.

Rug making – here, Rag Rug making – has a strong history of being a space for open conversation and communion through the act of creation. We ask participants to consider what we leave behind, and how can we come together to create a better world.

Art from Nature: Dendritic Monoprinting

In this session, participants will have the opportunity to explore the remarkable natural forms and patterns seen in Burtynsky’s images using dendritic monoprinting. This technique involves the use of recycled and organic materials, to create your own piece of artwork. You will explore the natural and abstract forms that occur throughout Burtynsky’s imagery. 

Breast Cancer Now brings to the Saatchi Gallery an exhibition of photographs from the future. A groundbreaking series of images created by renowned photographer Jillian Edelstein with the assistance of cutting-edge AI technology. See the moments ten people living with secondary breast cancer want to see and learn how research could give people with the disease more time to live their lives.

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