Archives: Exhibitions

About

Spectral Interference is a solo exhibition by London-based painter Anna Liber Lewis, presented with Hannah Payne Art. Bringing together a new body of work, it marks a rupture from her earlier grid-based paintings, embracing abstraction as a site of risk, embodiment, and perceptual instability.

Across paintings of varying scale, Liber Lewis leaves behind the grid and earlier line work. Structure remains, not as a fixed system, but as a generative structure that can be disrupted, softened, or pushed to breaking point. The surfaces evolve through cycles of editing and return: worked into, scraped back, reactivated, and at times deliberately destabilised. Old works are revisited and altered, reflecting a willingness to give up control in pursuit of something more alive.

Central to this body of work is an interest in high-stakes painting and the tension between abstraction and figuration, structure and the body, control and risk. Influenced by artists including Helen Frankenthaler and Carroll Dunham, Liber Lewis approaches abstraction as a physical, confronting act, where the mark carries memory, effort, and jeopardy. Gesture operates as a record of decision-making, endurance, and doubt.

The exhibition brings together significant new and recent works, including Embodied Other, My GRB Afterglow, and Very Rare Picture of Earth II, alongside large-scale canvases shown publicly for the first time. It represents her most ambitious institutional presentation to date, following her inclusion in Unreal City: Abstract Painting at Saatchi Gallery in 2024. 

Artist walk-through with Anna Liber Lewis and Geir Haraldseth: Saturday 28 March, 1pm

Meet the artist in Gallery 1 for a special walking tour of the exhibition. Anna Liber Lewis will be in conversation with Geir Haraldseth, Senior Curator at the National Museum, Norway. Together, they will move through the exhibition, discussing the ideas and processes behind the work — from gesture and material to risk, revision and the evolving language of abstraction. Should you wish to attend, please RSVP here.

Images courtesy of the Artist and Hannah Payne Art. Photography by Benjamin Deakin. 

About Hannah Payne Art
Hannah Payne Art is a nomadic gallery platform working between Oxford and London, supporting emerging and mid-career artists through ambitious exhibitions, institutional collaborations and dialogue-led programming. The gallery champions artists at pivotal moments in their careers, fostering the development and presentation of new work through thoughtfully curated exhibitions and partnerships.

About

★★★★★

“One of the most expertly curated and deeply satisfying displays of contemporary art in London in recent memory.” – Time Out

★★★★

“Convinces you that contemporary art is alive and kicking hard” – The Standard

Celebrating four decades of ground-breaking contemporary art, The Long Now is an expansive group show presenting new works by iconic artists closely associated with the Gallery’s dynamic history, alongside fresh voices from a new generation.

Spanning two floors and nine major exhibition spaces, the exhibition features special commissions, installations, painting and sculpture, and culminates with Richard Wilson’s iconic 20:50. A landmark in Saatchi Gallery’s history, 20:50 has been shown at each of the Gallery’s past locations and now, for the first time, is presented on the top floor.

Filling the space with recycled engine oil, it creates a mirrored environment that both disorients and captivates. In the context of today’s climate crisis, the work takes on renewed resonance, inviting reflection on the fragility of our surroundings, community, and environmental uncertainty.

The Long Now takes its name from a concept of fostering long-term thinking and challenging throwaway culture. Newly created works appear alongside historic pieces that remain impactful and relevant, continuing Saatchi Gallery’s tradition of showing art of the present while giving artists the space to realise ambitious ideas.

The exhibition opens with works exploring process and mark-making – a fundamental human gesture reimagined by Alice Anderson, Rannva Kunoy and Carolina Mazzolari. This spirit of experimentation runs through works by Tim Noble, André Butzer, Dan Colen, Jake Chapman and Polly Morgan, who push subject, style and scale.

At the centre stands Jenny Saville’s monumental Passage (2004). Combining strength and beauty, it exemplifies her ambition to “be a painter of modern life, and modern bodies.” The work anchors the exhibition’s energy, inviting a powerful and intimate encounter with the human form.

Painting, a constant in Saatchi Gallery’s programme, is further represented by Alex Katz, Michael Raedecker, Ansel Krut, Martine Poppe and Jo Dennis, alongside new and emerging voices who continue to expand the medium’s possibilities.

Immersive installations shift the focus from viewing to participation. Allan Kaprow’s YARD, with its chaotic arrangement of tyres, encourages movement and play, while Conrad Shawcross’s suspended Golden Lotus (Inverted) transforms a vintage car into a kinetic sculpture, prompting reflection on transformation, agency and the role of the viewer.

The exhibition raises questions of technology and the future, with Chino Moya, Mat Collishaw and Tom Hunter reflecting on surveillance, automation and AI – considering how the digital world permeates contemporary life.

Themes of fragility and climate change weave throughout. Gavin Turk’s fractured Bardo suggests cultural decay and the precarious balance between permanence and collapse, while works by Olafur Eliasson, Chris Levine and Frankie Boyle use light to create moments of contemplation. Environmental concerns are explored by Edward Burtynsky, Steven Parrino, Peter Buggenhout, Ibrahim Mahama, Ximena Garrido Lecca and Christopher Le Brun, who address extraction, waste and renewal.

Curated by Philippa Adams (Senior Director, Saatchi Gallery 1999- 2020).

Featured artists: Alice Anderson, Olivia Bax, Frankie Boyle, Edward Burtynsky, Peter Buggenhout, André Butzer, Jake Chapman, Mat Collishaw, Dan Colen, John Currin, Jo Dennis, Zhivago Duncan, Olafur Eliasson, Rafael Gómezbarros, Ximena Garrido-Lecca, Damien Hirst, Tom Hunter, Henry Hudson, Alex Katz, Allan Kaprow, Maria Kreyn, Ansel Krut, Rannva Kunoy, Christopher Le Brun, Chris Levine, Ibrahim Mahama, Carolina Mazzolari, Jeff McMillan, Misha Milovanovich, Polly Morgan, Ryan Mosley, Chino Moya, Tim Noble, Alejandro Ospina, Steven Parrino, Martine Poppe, Michael Raedecker, Sterling Ruby, Jenny Saville, Petroc Sesti, Conrad Shawcross, Soheila Sokhanvari, John Squire, Dima Srouji, Gavin Turk, Richard Wilson, Alexi Williams Wynn.

This exhibition contains depictions of nudity and mature themes. Viewer/parental discretion is advised.

Supported by

With thanks to our collaborators: Artvisor, Morra Foundation and MONA Tasmania, EFG Private Bank Ltd, Sweet Harmony, Cauldwell Collection and the Fine Art Group.

About

Boredom-busting art and activities inspired by our current major exhibition, The Long Now! Explore the exhibition, and then let your creative juices flow with this series of accompanying workshops. Suitable for children of all ages and led by Saatchi Gallery’s Learning team.

Register for a 30-minute slot between 11am – 3pm by clicking ‘Book Now’.

About

Curated by Liminal Gallery, Between Waking and Wanting brings together the work of four artists, Maud Whatley, Fipsi Seilern, Emma Richardson and Chloe Bonfield, each of whom explores the subtle strangeness of interior life: its rituals, its erotic charge, its mythologies, and its moments of psychological slippage.

The exhibition is concerned with the in-between. It evokes a state where the body may be still, but the mind is elsewhere, half-sleeping and half-reaching, moving through dream logic, memory, and longing.

Maud Whatley’s works are like storyboards, drawing inspiration from the uncanny dreamscapes of mid-century cinema. Fipsi Seilern’s intricate drawings on untreated wood conjure the atmosphere of dream fragments. Emma Richardson’s large-scale paintings engage with psychology, transcendence, and female desire, while drawing on the intensity of Baroque painting. Chloe Bonfield’s painted figures appear suspended mid-thought, caught within intimate yet unplaceable landscapes.

Together, these works form a conversation about the textures of mental life, where images flicker without resolution, longing persists, and meaning remains just out of reach. Between Waking and Wanting invites us to dwell in these uncertain moments – not to decode them, but to feel their charge.

About Liminal Gallery

Proving that scale is no barrier to impact, Liminal Gallery is the UK’s smallest bricks-and-mortar contemporary gallery. Based in Margate, Liminal challenges the status quo with a bold and inclusive programme, platforming diverse and resonant voices from across the UK and Ireland. 

About

Gesture and Being brings together new work from six recent graduates of Royal College of Art and the Slade School of Fine Art: Anna Curzon Price, Gala Hills, Katja Farin, Mia Wilkinson, Poppy Critchlow and Qian Zhong. All working within the realms of figurative painting, these artists use their practice to challenge inherited narratives and expectations ascribed to gender, the body and the self. Together, they champion a self-expression that is free and fluid, presenting figures that are unstable, performative, dreamlike, or defiantly unruly. 

These artists reflect on how our personal narratives are often in flux with our internal dialogues, external interactions and our environment. Exploring interior worlds – psychological, emotional or symbolic – as much as physical ones, they consider how we are seen, staged and felt within both private and public realms. Domestic interiors, mythical spaces, imagined utopias and everyday moments become sites where tension and connection coexist, and where the body becomes an active, renewed force.  

Despite the playful and vivid use of colour, undertones are often unsettling. These paintings are layered with complex feeling, exploring themes of anxiety, vulnerability and discomfort. The environments presented here are both tender and confrontational, humorous and uneasy, where representation is not fixed but continually negotiated, and where the figure emerges as something porous, potent, and profoundly alive. 

Participating artists: Anna Curzon Price, Gala Hills, Katja Farin, Mia Wilkinson, Poppy Critchlow, Qian Zhong

About

Domestic Relics gathers eight artists whose work excavates the tender, unstable terrain of memory as it is held within the spaces, gestures, and objects of daily life. In this exhibition, the home becomes both setting and metaphor: a site where the past lingers in fabric folds, handwritten fragments, staged poses, and the quiet rituals that scaffold identity.

Across painting, sculpture, and hybrid forms, each artist offers a way of seeing the domestic not as ordinary, but as a living archive, one that preserves, distorts, conceals, and sometimes invents the stories we inherit. Together, these artists form a dialogue about what remains: the residues of physical experience, the subtle reorganising of the past through the present, and the uneasy- but-beautiful ways in which personal history becomes myth.

Participating artists: Theo Bardsley, Lee Cameron, Luna Sue Huang, Jennifer Jones, Matt Macken, Yejin Oh, George Richardson, Justin Tsui. 

Curated by Nick JS Thompson & Benjamin Murphy of Delphian Gallery, the artist-run, nomadic gallery and arts platform. 

About

Good Eye Projects returns to the Gallery with a group exhibition of artists from their Autumn 2024, Spring 2025 and Summer 2025 residency iterations. 

GEP is an artist residency programme founded in 2022. Embodying the artist-led ethos and community orientation of London’s vibrant emerging and early-career art scene, GEP hosts three residency iterations per year at their West London location, providing six artists per edition with free studio space in which to create. Since launching, GEP has supported 60 artists, and has presented off-site collaborations with Christie’s, Collective Ending HQ and Saatchi Gallery.

The exhibition will feature works by participating residency artists: 

Autumn 2024: DaddyBears, Lily Bunney, Harriet Gillett, Freya Fang Wang, Derrelle Elijah, Amelie Peace

Spring 2025: Mark Burch, Sofia Clausse, Roudhah Al Mazrouei, Sonya Derviz, Parham Ghalamdar, Amelie Mckee

Summer 2025: Rachel Mortlock, Leon Scott-Engel, Xinyu Han, Elleanna Chapman, Lulu Wang, Lau Yee Vanessa Fong

About

The Artist of the Future Prize 2025 launches its inaugural edition with an exhibition showcasing digital art by 10 artists from across the UK and Europe shortlisted for the prize. 

Launched as part of Peugeot’s Principal Patronage of Saatchi Gallery, the Prize showcases shortlisted works chosen by a distinguished panel of judges and an overall winner, who receives the accolade of Artist of the Future 2025 and a prize worth £10,000 (£5,000 in money and a media package valued at a further £5,000).

With Innovation as its theme, this first edition highlights artists who push the possibilities of digital art, challenge convention, and invite audiences to see creativity through fresh perspectives. For Peugeot, innovation defines its commitment to pioneering electric mobility and visionary design, while for Saatchi Gallery it underpins a mission to support artists who spark dialogue and expand how we think about art and society.

The work has been selected by a judging panel spanning the worlds of art, culture, and design, including Matthias Hossann (Design Director, Peugeot), Dominic Harris (British artist exploring humanity’s relationship with nature), Darren Styles OBE (Publisher of Attitude Magazine and Rolling Stone UK), Paul Foster (Director, Saatchi Gallery) and Katherine Benson (Exhibition Programming Manager, Saatchi Gallery). 

Winner of the Artist of the Future Prize 2025
DYSPLA

Shortlisted Artists
Edd Carr
Filip Haglund
Sally Smoker
Lenar Singatullov
Patchworks Collective – Charlotte Foster, Rehan Moazzam Khan, Yujia Cai, Karstin Naes Hoydal & Matthew Chan
AMIANGELIKA
James David Freeman
Isolda Milenkovic
Lucy Ellis

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