SELECTED WORKS BY Anna Parkina
Collage, ink and gouache on paper, mounted on board
42.5 x 50 cm
Anna Parkinaâs collages and sculptures, aesthetically reminiscent of Constructivist and Soviet propaganda art, are visual juggernauts from which to contemplate the anxieties of contemporary Russian culture and society.
Thick Steam Above The Wing Of A Sparrow
143 x 129 x 70 cm
Collage on paper, mounted on board
49.7 x 32.8 cm
Parkina was born and raised in the Soviet Union, and lived in Paris and California before returning to post-Soviet Moscow. Marked by a slightly distant, inside-outside perspective, her collages revisit the medium and explore it through old and new images evoking both past and present in her native country.
Zamki I Samki
Collage and gouache on paper, mounted on board
41 x 43 cm
The Case Is Open II
Gouache photocopy and ink on paper, mounted on board
58 x 68 cm
Hole In Highway
Collage, pencil, ink, gouache, books, photocopy on paper, mounted on board
43.5 x 61 cm
Her work may visually reference the historical Russian avant-garde, but it is also her own edit of the status quo â a set of image- and text-based conceptual, inscrutable âriddlesâ. Her collage works consist of abstract, geometric shapes, imagery taken from the mass media, cut-out printed type and hand-painted extras, completed by slightly cryptic titles. The result, despite the familiar nature of the genre and the ordinary quality of her materials, is both heady and mysterious.
White Turn To Be Black
Oil, photocopy, coloured paper, book and poster on canvas
60 x 70 cm
Oil, collage, poster on canvas
60 x 50 cm
Here, the everyday is re-configured and time suspended through a frenzy of layered, duplicated imagery and its suggestions â of nature, such as birds, and hands, but also of Soviet icons such as cars, instruments, buildings, trains, film still faces and sinister silhouettes of figures wearing fedoras.
Oil and collage on canvas
50 x 40 cm
Her sculptures convey a similar magnetic excess. Thick Steam Above the Wing of a Sparrow stands on a plinth as a defined solid but also nebulous shape. The way it fits together mixes the order of sharp, utilitarian craftsmanship with a chaotically abstract, non-specific purpose. Like her collages, it is like a puzzle, and itâs easy to get lost looking into its engine of oddly patterned shapes and the hollows within.
Text by Lupe NĂčĂ±ez-FernĂĄndez