•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

Elliot Hundley EXHIBITED AT THE SAATCHI GALLERY

Hyacinth
Elliot Hundley
Hyacinth

2006

Corkboard, paper, photographs, plastic, fabric, pins, wood, oil paint, acrylic paint, charcoal, pastel, string, ceramic, shells

244 x 216 x 38.1 cm
Mining the nostalgic and sentimental qualities of his eclectic materials, Elliott Hundley’s collages create condensed ‘dreamscapes’, entwining the personal and symbolic into friable mythologies. Hundley engages with the dramatic in the staged emotiveness of his structures and in the performative element of their intensive making process. From a distance, Hundley’s Hyacinth exudes a painterly expressiveness, which dissolves on close inspection into clusters of tiny figures, magazine clippings and bits of fabric precariously held in place by pins. Using formalism as a platform for narrative structure, Hundley’s exquisitely delicate consternation transforms the act of looking into an adventure of exploration and discovery.
Hyacinth (Detail)

Hyacinth (Detail)

Hyacinth (Detail)

Hyacinth (Detail)

Hyacinth (Detail)

Hyacinth (Detail)

Elliot Hundley
Hyacinth (Detail)

2006

corkboard, paper, photographs,

Mining the nostalgic and sentimental qualities of his eclectic materials, Elliott Hundley’s collages create condensed ‘dreamscapes’, entwining the personal and symbolic into friable mythologies. Hundley engages with the dramatic in the staged emotiveness of his structures and in the performative element of their intensive making process. From a distance, Hundley’s Hyacinth exudes a painterly expressiveness, which dissolves on close inspection into clusters of tiny figures, magazine clippings and bits of fabric precariously held in place by pins. Using formalism as a platform for narrative structure, Hundley’s exquisitely delicate consternation transforms the act of looking into an adventure of exploration and discovery.
The Hanging Garden, The Invention of Drawing

The Hanging Garden, The Invention of Drawing

The Hanging Garden, The Invention of Drawing

The Hanging Garden, The Invention of Drawing

The Hanging Garden, The Invention of Drawing

Elliot Hundley
The Hanging Garden, The Invention of Drawing

2005

Collage, mixed media, pastel, graphite, collage, cut outs, on paper

216 X 142 cm
Balancing evolutionary chaos with blueprint precision, Elliott Hundley’s The Hanging Garden… presents a topsy-turvy architecture of convoluted lines, intimate mark-making, and swirling colourful forms, populated by masses of little people. Comprised of two images – one on both the front and underside of a transluscent sheet of paper -- Elliott Hundley’s The Hanging Garden… presents narrative drawing as a palimpsest, quite literally over lapping information, so that one surface contains the faint suggestion of the other. This idea of fragmentation and continuation is reinforced through the torn edges of the paper, diversity of materials and disjointed drawing structure. Unfolding with the charisma of epic fairytale, Hundley’s drawing melds the familiar and foreign, his consuming process and encyclopaedic references mirroring the free flow expanses of imagination.

Elliot Hundley's BIOGRAPHY

Elliot Hundley
Born in 1975, USA
Lives and works in Los Angeles, CA



SOLO EXHIBITIONS


2011
Wexner Center For The Arts, Columbus, OH

2010
Euripides:Paste-ups, Galleria il Capricorno, Venice, Italy
Agave of the Bacchae, Andrea Rosen Gallery, New York, NY

2009
Hekabe, Regen Projects, Los Angeles, CA

2008
Galleria il Capricorno, Venice, Italy

2007
Andrea Rosen Gallery, New York, NY

2006
Hammer Project, UCLA Hammer Museum, Los Angeles, CA


GROUP EXHIBITIONS


2010
The More Things Change: works from the Permanent Collection, San Francisco Museum of Modern Art
Contemplating the Void: Interventions in the Guggenheim Museum Rotunda, Solomon R. Guggenheim Museum, New York, NY
Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, New Museum Of Contemporary Art, NY

2009
Collection: The First Thirty Years, Los Angeles Museum Of Contemporary Art, curated by Paul Schimmel, LA
California Maximalism, Nyehaus Gallery, New York, NY
The World Is Yours, curated by Anders Kold and Tine Volstrup, Louisiana Museum of Modern Art, Denmark
Superficiality and Superexcrescence, Otis College of Art and Design

2008
L.A Now, curated by Doug Harvey, Las Vegas Art Museum
Mel’s Hole, curated by Doug Harvey, CSUF, Grand Central Art Center, CA
2008 Art on Paper Biennial, Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC
Forward / Past, Zabludowicz Collection, London, England, curated by Vincent Honoré,
Karla Black, Elliott Hundley, Ross Tibbles , Stuart Shave / Modern Art, London, England

2007
Unmonumental , New Museum of Contemporary Art, New York. curated by Richard Flood
Massimiliano Gioni and Laura Hoptman,
Fractured Figure - Works from the Dakis Joannou Collection , Athens, Greece
The Second Annual Dining Room Show, 2 Ocean View Lane Amagansett, Long Island,
Eden’s Edge: Fifteen LA Artists, UCLA Hammer Museum, Los Angeles, CA
Shapes of Space , Guggenheim Museum, New York, NY

2006
USA Today: New American Art from the Saatchi Gallery,The Royal Academy of Arts, London, England
Chain Letter , High Energy Constructs, Los Angeles, CA
LAXed: Paintings from the Other Side, Peres Projects, Berlin, Germany
Rough Trade, Michael Kohn Gallery, Los Angeles, CA
Panic Room: Works from the Dakis Joannou Collectioni, Deste Foundation Centre for Contemporary Art, Athens, Greece
There’s no fooling you (The Classics)Peres Projects, Los Angeles, CA

2005
Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper,
Andrea Rosen Gallery, New York, NY
State of Emergence, Track 16 Gallery, LA Weekly Biennial, Santa Monica, CA
Paper Beats Rock, Los Angeles, CA
Desired Constellations, Daniel Reich Gallery, New York, NY

2004
And If You Think You See…Peres Projects, Los Angeles, CA
Group Show Regen Projects, Los Angeles, CA
California Earthquakes , Daniel Reich Gallery, New York, NY
Such things I do just to make myself more attractive to you Peres Projects, Los Angeles, CA

2003
Lordship and Bondage, Neiman Gallery, Columbia University, New York, NY
A Million Pieces, Hayworth Gallery, Los Angeles
Three-dimetrical, The Happy Lion, Los Angeles, CA
Retreat, Peres Projects, Los Angeles, CA
I am Human, and I Deserve to Be Loved, Overtones, Los Angeles, CA

2002
Scratch off the Serial, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Fine Arts Work Center, Provincetown, MA,
PFAWC!!!, Mills Gallery, Boston Center for the Arts, Boston, MA

2001
Heavy, Thick, Slow, Sweet, Philadelphia, PA