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    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
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SELECTED WORKS BY Guy Rusha

Royal Wedding
Guy Rusha
Royal Wedding

2012

Oil on canvas

40.5 x 30.5 cm
Guy Rusha’s painting Royal Wedding is composed of various kinds of touch – thick and sloppy, dry and skittering, fast and loose – which draw parallels, as a nude subject in painting always will, between the brush and the hand. To paint a thing is to reconstruct it through touch, a truism with erotic connotations that are doubled if the subject is itself, as here, an erotic one. Flesh takes up the majority of the painting’s space. Buttocks, labia and torso stack up like sculpture. With the face and legs cropped out of the frame, this might be a photo passed between lovers or an image culled from porn: its closeness implies an awareness of being looked at, a desire to please. Rusha’s title is a nod to the 2011 royal wedding, during which many commentators considered the bum of the bride’s sister to be a particular highlight; the artist claimed he wanted to paint his girlfriend’s bum, “as [he] thought it was better than Pippa’s.” As prosaic as this might sound, it’s no different from Picasso’s 1930s transformations of his girlfriend Marie-Therese Walter’s body into a playground of holes, bums and breasts, and Rusha’s work belongs in the same category, of art’s ability to reshape the world according to the artist’s desire. Despite all this, there’s something almost elegiac about Rusha’s painting – its blanched and dusty palette seems drained of heat, like sensual pleasure recollected in tranquility.

Text by Ben Street

Guy Rusha's BIOGRAPHY

Guy Rusha
Born in 1983, London, UK
Lives and works in London, UK



SOLO EXHIBITIONS


2012
She Looks Nice, The Sunday Painter, London

2011
Her, Horton Gallery, New York

2009
Painting and Sculpture, Irish Institute of Hellenic Studies, Athens
Greek Works, British School at Athens

2008
Practical Treatises, The Hex, London


GROUP EXHIBITIONS


2011
NADA Art Fair, Horton Gallery, Miami, FL
A Momentary Stay Against Confusion, Horton Gallery, Berlin, curated by Colin Huerter
A Painting Show, Autocentre, Berlin, curated by Aaron Moulton

2010
Hinterland,The Rag Factory, London

2009
Middlemarch, Autoitalia, London

2008
An Experiment in Collaboration, Jerwood Space, London
The Hex: A Retrospective, Limoncello Gallery, London

2007
Aquarium, Centre for Recent Drawing, London
The Later Notice show, Cavell Street, London
The Late Notice show, Mill Row, London