•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
30th anniversary
Saatchi Store
Current Exhibition

SELECTED WORKS BY Justin Matherly

The significant and difficult run deep and do not flow on the surface (The beautiful and useful are not to be grasped at a glance)
Justin Matherly
The significant and difficult run deep and do not flow on the surface (The beautiful and useful are not to be grasped at a glance)

2011

Glass reinforced concrete, ambulatory equipment

102 x 81.28 x 48.26 cm
All excellent things are as difficult as they are rare (Champion sound)

All excellent things are as difficult as they are rare (Champion sound)

Justin Matherly
All excellent things are as difficult as they are rare (Champion sound)

2011

Glass reinforced concrete, ambulatory equipment

121 x 63.50 x 48.26 cm
As long as its truth and purity remain inviolate and no blasphemous rationality dares approach its sacred confines (Guilelessly open and deeply hidden)

As long as its truth and purity remain inviolate and no blasphemous rationality dares approach its sacred confines (Guilelessly open and deeply hidden)

Justin Matherly
As long as its truth and purity remain inviolate and no blasphemous rationality dares approach its sacred confines (Guilelessly open and deeply hidden)

2011

Glass reinforced concrete, ambulatory equipment

97.79 x 57.15 x 48.26 cm

Justin Matherly's BIOGRAPHY

Justin Matherly
Born in 1972, West Islip, NY
Lives and works in Brooklyn, NY



SOLO EXHIBITIONS


2013
All industrious people, Paula Cooper Gallery, New York, NY

2012
The mind is a terrible thing to waste/Taste and the antique, Bureau at, Frieze_Frame, New York, NY

2011
Readjusting my commitment to a greater legibility, or substance thinking and substance extended, New York

2010
To reveal the logic of production and to set forth the technique of methods of struggle as a living, flowing process, without any unbreakable rules except that of having an ultimate goal, devices which are varied and formed at every given moment depending on the conditions and correlations of forces in a given phase of struggle; I mistrust all systematizers and avoid them. The will to a system is a lack of integrity, Solo project with Bureau,Secteur Lafayette, FIAC, Paris France
Would that You were the last of the filth which You had to remove / why does your flesh shit?, Marginal Utility, Philadelphia

2009
Be So Kind As To Dilate Upon The Mechanics Of The Thing (We came more and more to feel that, motion being inherent in matter, the prime mover exist ed only as an illusion, and that all that exists essentially having to be in motion, the motor was useless), Dispatch, New York, NY

2008
Let other people observe you happy, and they will rush to the same road you have traced for them. DISPATCH: Present tissima, Turin, Italy
The Assistants’ Dispatch, New York, NY


GROUP EXHIBITIONS


2013
Lat. 41˚ 7’ N. Long. 72˚ 19’ W.’ curated by Bob Nickas, Martos Gallery Summer Location, East Marion, NY
Rien faire et laisser rire (Do nothing and let them laugh),’ organized by Bob Nickas,Galerie Rodolphe Janssen, Brussels, Belgium

2012
Creature from the Blue Lagoon, Martos, Bridgehampton, NY
Ur, Room East, New York, NY
Everything’s alright forever, Paradise Row, London, UK
Common Ground, City Hall Park, New York, NY
New York: Directions, Points of Interest,’ Massimo de Carlo, Milan, Italy

2011
Bureau at Nada Hudson, NY
Sculpture is Three-Dimensional Art, Johann Koenig, Berlin, Germany
The 2011 Bridgehampton Biennial, Martos, Bridgehampton, NY
Re: Empire, Team Gallery, New York, NY
Sculpture, Paula Cooper Gallery, New York NY

2010
Looking Back, The Fifth Annual White Columns Annual, Cur. Bob Nickas, White Columns, NY
In Practice Projects, Sculpture Center, Long Island City, NY
Wait For Me at the Bottom of the Pool, Cur. Bob Nickas, Jose Martos, Sagaponack, NY
Habitat (Some Pleasures and Discomforts of Domestic Life), Cur. Beatrice Gross,
Twenty First / Twenty First Gallery, New York, NY
Independent w/ Dispatch, New York, NY

2009
The Living and the Dead, Gavin Brown’s enterprise, New York NY
High, Low and In Between), Jorg Grimm Gallery, Amsterdam, NL
I know nothing of the weather when I know it is either raining or not raining. Pacific Northwest College of Art,Feldman Gallery, Portland, OR

2008
Un Balance, Jack Shainman Gallery New York, NY

2007
Loot from Wars of Nationalist Aggression Between the 18th and 71st Parallels(1981- 1994)’ Gavin Brown’s enterprise @ Passerby; New York, NY
Wu Tang / googolplex Show, Gavin Brown’s enterprise, Passerby, NY
The Great Improvisation Has Begun, Hunter College Times Sq. Gallery, NY
New Insights, Art Chicago, curated by Susanne Ghez, Chicago, IL
Poster Project, curated by Devon Costello and Ilya Lipkin Kantor/Feuer Window,
Participant Inc. and Printed Matter, New York, NY

2006
Everything Beautiful and Noble is the Result of Reason and Calculation curated by Howie
Chen and Gabrielle Giattino, EFA Gallery, New York, NY

2005
MAs select MFAs, Hunter College Times Square Gallery, New York, NY

2004
Scarab, Project Room, Philadelphia, PA

2003
Window on Broad, Rosenwald-Wolf Gallery, University of the Arts,
Philadelphia, PA

2002
Greater Philadelphia, The Galleries at Moore College of Art, Philadelphia, PA

2001
Buffered, Basekamp Site, Philadelphia, PA