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    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
Saatchi Art
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Current Exhibition

Li Yan EXHIBITED AT THE SAATCHI GALLERY

Accident No.5
Li Yan
Accident No.5

2007

Acrylic on canvas 5 panels

Dimensions variable
Accident No.5 detail
Li Yan
Accident No.5 detail



Acrylic on canvas

65 x 83 cm
Accident No.5 detail
Li Yan
Accident No.5 detail



Acrylic on canvas

20 x 20 cm
Accident No.5 detail
Li Yan
Accident No.5 detail



Acrylic on canvas

20 x 20 cm
Accident No.5 detail
Li Yan
Accident No.5 detail



Acrylic on canvas

15 x 25 cm
Accident No.5 detail
Li Yan
Accident No.5 detail



20 x 20 cm

Acrylic on canvas 20 x 20 cm
Li Yan’s Accident series Nos. 5 & 6 deal with the phenomenon of horror. Approaching painting as a forensic activity, Li’s works are comprised of groups of small canvases to reconstruct disaster scenes as elaborate narratives. Following the format of media reportage, each painting contributes a different perspective to the drama, presenting ’evidence’ as fragmented info bytes for viewer scrutiny and re-assemblage.

Hung in asymmetrical configurations, Li’s canvases invite open interpretation, with each panel operating both independent of and interconnected to the whole, construing event as non-linear and subjective. Maps, car wrecks, bombed out buildings, and mug shots take equal importance to more benign scenes of barbershops, saucy marching bands, and holiday parasailers; like all good crime stories terror is enhanced by its everyday banality, and the devil is in the details.

Executed on intimately small scale, Li’s paintings compound violence to microcosmic triviality, compacting the scope of real devastation into neutralised frames. Citing the impossibility for media to convey actual experience, Li’s works seek to recode this information by focussing on the processes of aesthetic construction. Working in a reduced, earthy palette, Li simultaneously references photography and ruin; the surfaces visually replicate the sensation of brutality with paint frantically applied, scraped down to bare canvas, knifed on as impasto rubble, scabbed over, and obliterated by intense dirty splotches. Within each tiny canvas is an anomalous sense of space, conveying the sublime as ultimate beauty and horror, both diminutive and infinite.
Accident No.6
Li Yan
Accident No.6

2007

Acrylic on canvas

19 panels
Li Yan’s Accident series No. 6 deal with the phenomenon of horror. Approaching painting as a forensic activity, Li’s works are comprised of groups of small canvases to reconstruct disaster scenes as elaborate narratives. Following the format of media reportage, each painting contributes a different perspective to the drama, presenting ’evidence’ as fragmented info bytes for viewer scrutiny and re-assemblage.

Hung in asymmetrical configurations, Li’s canvases invite open interpretation, with each panel operating both independent of and interconnected to the whole, construing event as non-linear and subjective. Maps, car wrecks, bombed out buildings, and mug shots take equal importance to more benign scenes of barbershops, saucy marching bands, and holiday parasailers; like all good crime stories terror is enhanced by its everyday banality, and the devil is in the details.

Executed on intimately small scale, Li’s paintings compound violence to microcosmic triviality, compacting the scope of real devastation into neutralised frames. Citing the impossibility for media to convey actual experience, Li’s works seek to recode this information by focussing on the processes of aesthetic construction. Working in a reduced, earthy palette, Li simultaneously references photography and ruin; the surfaces visually replicate the sensation of brutality with paint frantically applied, scraped down to bare canvas, knifed on as impasto rubble, scabbed over, and obliterated by intense dirty splotches. Within each tiny canvas is an anomalous sense of space, conveying the sublime as ultimate beauty and horror, both diminutive and infinite.
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

72 x 72 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

20 x 20 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 45 cm
Accident No.6  detail
Li Yan
Accident No.6 detail



20 x 40 cm

Acrylic on canvas 20 x 40 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

20 x 40 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

20 x 40 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

20 x 40 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

15 x 25 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 15 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 15 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

15 x 25 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 15 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 15 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 15 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

15 x 25 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

15 x 25 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

15 x 25 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

15 x 25 cm
Accident No.6 detail
Li Yan
Accident No.6 detail



Acrylic on canvas

25 x 15 cm






Other artists in
THE REVOLUTION CONTINUES: NEW CHINESE ART

Zhang Dali    Zeng Fanzhi    Wang Guangyi    Zheng Guogu    Zhang Haiying    Zhang Hongtu    Zhang Huan    Qiu Jie    Xiang Jing    Shi Jinsong    Fang Lijun    Yue Minjun    Li Qing    Wu Shanzhuan    Shen Shaomin    Li Songsong    Zhan Wang    Liu Wei    Zhang Xiaogang    Zhang Xiaotao    Cang Xin    Shi Xinning    Li Yan    Bai Yiluo    Sun Yuan and Peng Yu    Yin Zhaohui    Feng Zhengjie

Li Yan's BIOGRAPHY

Li Yan
1977
Born in Jilin city, Jilin province


SOLO EXHIBITIONS


2007
Beijing power factory first solo exhibition, Beijing power factory


GROUP EXHIBITIONS


2007
First Venice cyber biennale

2005
The second Chengdu biennale, Chengdu contemporary art museum

2004
The 10th national fine arts exhibition - oil painting exhibition, Guangdong art museum, Guangzhou
Zhengxing northern east industry district fine arts exhibition, Liaoning art museum, Liaoning