•  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
  •  Installation Shots From: Pangaea: New Art From Africa And Latin America
    Pangaea: New Art From Africa And Latin America
Saatchi Art
Saatchi Store
Current Exhibition

Tracey Emin EXHIBITED AT THE SAATCHI GALLERY

My Bed
Tracey Emin
My Bed

1998

Mattress, linens, pillows, objects

79 x 211 x 234 cm
A consummate storyteller, Tracey Emin engages the viewer with her candid exploration of universal emotions. Well-known for her confessional art, Tracey Emin reveals intimate details from her life to engage the viewer with her expressions of universal emotions. Her ability to integrate her work and personal life enables Emin to establish an intimacy with the viewer.

Tracey shows us her own bed, in all its embarrassing glory. Empty booze bottles, fag butts, stained sheets, worn panties: the bloody aftermath of a nervous breakdown. By presenting her bed as art, Tracey Emin shares her most personal space, revealing she’s as insecure and imperfect as the rest of the world.
To Meet My Past
Tracey Emin
To Meet My Past

2002

Mixed media installation comprised of a four poster bed, mattress and appliquéd linens and curtains

Dimensions variable:
I've Got It All
Tracey Emin
I've Got It All

2000

Ink-jet print

124 x 109 cm
Tracey Emin is almost always portrayed as a Diana-esque femme tragique. It’s rare to get a glimpse of the happy, successful, confident person she’s become. I’ve Got It All is a transient crowning glory: a shameless, two-fingers up to her critics. Emin’s triumphed over all, and has money up the whazoo to boot!
Exorcism of the Last Painting I Ever Made

Exorcism of the Last Painting I Ever Made

Tracey Emin
Exorcism of the Last Painting I Ever Made

1996

Installation including 14 paintings, 78 drawings, 5 body prints, various painted and personal items, furniture, CDs, newspapers, magazines, kitchen and food supplies

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Exorcism of the Last Painting I Ever Made (detail)

Tracey Emin
Exorcism of the Last Painting I Ever Made (detail)

1996

Installation details of 14 paintings from a total of 97 works.

In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
Untitled
Tracey Emin
Untitled

2000

Photographic print

104 x 130 cm
Untitled
Tracey Emin
Untitled

2000

Photographic print

104 x 130 cm
Emin is a storyteller whose subject matter comes from Emin's own rich life. Through the poetry of her honest retelling of unique and intimate life-events Emin establishes a generous dialogue between the viewer and the artist.
Sleep
Tracey Emin
Sleep

1996

Monoprint and stitched label on cotton pillowcase

50 x 73 cm
Using experiences from her own life, Tracey Emin often reveals painful situations with brutal honesty and poetic humour. The personal expands to the universal in the way Emin takes a feeling about her life and forms it into a genuine expression of a human emotion.
Untitled (Porchester Baths)
Tracey Emin
Untitled (Porchester Baths)

1988

Oil on board

28 x 26 cm
Untitled (Porchester Baths)
Tracey Emin
Untitled (Porchester Baths)

1988

Oil on board

28 x 26 cm
Emin exposes herself, her hopes, humiliations, failures and successes in an incredibly direct manner. Often tragic and frequently humorous, it is as if by telling her story and weaving it into the fiction of her art she somehow transforms it.

Tracey Emin's BIOGRAPHY

Tracey Emin
Born in 1963, London
Lives and works in London



SOLO EXHIBITIONS



2011
Love is What You Want, Hayward Gallery, London
Do Not Abandon Me, Hauser & Wirth, London (with Louise Bourgeois)

2010
Praying To A Different God, Amanda Love Art, Sydney
Walking With Tears, Royal Academy of Art, London
Why Be Afraid?, Galleria Lorcan O’Neil, Rome

2009
Only God Knows I'm Good, Lehmann Maupin, New York
Tracey Emin: Those Who Suffer Love , White Cube, London
Tracey Emin 20 Years, Kunstmuseum Bern, Bern

2008
Tracey Emin 20 Years, Centro de Arte Contemporáneo, Málaga
Liverpool Cathedral Commission, Liverpool
Tracey Emin: 20 Years, Scottish National Gallery of Modern Art, Edinburgh

2007
Tracey Emin: You Left Me Breathing, Gagosian Gallery, Beverly Hills, CA.
Tracey Emin: Borrowed Light, British Pavillion, 52nd International Biennale di Venezia

2006
More Flow, Galleria Lorcan O’Neill, Rome

2005
I Can Feel Your Smile, Lehmann Maupin, New York
When I Think About Sex…, White Cube, London
Death Mask, National Portrait Gallery, London

2004
Tracey Istanbulda, Platform Garanti Contemporary Art Center, Istanbul
Tracey Emin, BP British Art Displays, Tate Britain, London
I’ll Wait For You In Heaven, Galleria Lorcan O’Neill, Rome
Can’t See Past My Own Eyes, Sketch, London
Fear, War And The Scream, Roslyn Oxley, Sydney and City Gallery, Wellington

2003
Menphis, Counter Gallery, London
Tracey Emin, Art Gallery of New South Wales, Sydney

2002
This is Another Place, Modern Art Oxford, Oxford
Ten Years. Tracey Emin, Stedelijk Museum, Amsterdam
I Think it’s in my head, Lehmann Maupin, New York
Tracey Emin Showreel, The Genesis Cinema, London
Tracey Emin, Haus der Kunst, Munich

2001
Tracey Emin You forgot to kiss my soul, White Cube, London

2000
Love is a Strange Thing, Fig.1, London
What Do You Know About Love, Carlier/Gebauer, Berlin

1999
Tracey Emin Every Part of Me’s Bleeding, Lehmann Maupin, New York

1998
Sobasex (My Cunt is Wet with Fear), Sagacho Exhibition Space, Tokyo
Cunt Vernacular, Carlier Gebauer, Berlin
I Need Art Like I Need God, Gesellschaft für Aktuelle Kunst, Bremen
Tracey Emin, Galerie Philippe Rizzo, Paris

1997
Solo Exhibition, Moo Gallery, Helsinki
I Need Art Like I Need God, South London Gallery, London
Istanbul Biennial, Pera Palace Hotel, Turkey

1996
It’s not me that’s crying, it’s my soul, Galerie Mot & Van den Boogaard, Brussels
Exorcism of the Last Painting I Ever Made, Galleri Andreas Brändström, Stockholm
Solo Exhibition, Habitat, London

1995
Tracey Emin Museum, 221 Waterloo Road, London SE1 (closed 1998)

1994
Art Cologne, Sponsored Artist, Jay Jopling/White Cube, Cologne
Exploration of the Soul – Journey Across America, Readings at the following locations: Rena Bransten, San Francisco; Regen Projects, Los Angeles; Museum of Contemporary Art, San Diego; David Klein Gallery, Detroit; Mattress Factory, Pittsburgh; Sandra Gering Gallery, New York and White Columns, New York

1993
My Major Retrospective, Jay Jopling/White Cube, London
From Army to Armani, Analix Gallery, Geneva (with Sarah Lucas)
The Shop, 103 Bethnal Green Road, London (with Sarah Lucas)


GROUP EXHIBITIONS



2011
Saatchi Gallery In Adelade:British Art Now, Art Gallery Of South Australia, Australia
Crossing Centuries, ASC Gallery, London
Text/Video/Female: Art After 60's, PKM Gallery, Seoul
Watercolour, Tate Britain, London
The Shape We’re In (Camden), 176 Zabludowicz, London
Moving Portraits, De La Warr Pavillon, Bexhill-on-Sea

2010
The Body in Women’s Art Now, New Hall Art Collection, Cambridge
Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York
Make Room, New Art Gallery, Walsall
No New Thing Under the Sun, Royal Academy of Arts, London
Move: Choreographing You, Hayward Gallery, London
House of the Noble Man, Zabludowicz Collection, London
Just Love Me, MUDAM, Luxembourg
Do Not Abandon Me, Carolina Nitsch Project Space, New York
Cream, KIASMA, Helsinki
The Body in Women’s Art Now, Rollo Contemporary Art, London
Kupferstichkabinett: Between Thought and Action, White Cube, London
The Tell-Tale Heart (Part 2), James Cohan Gallery, New York
Emporte-moi/Sweep me off my feet , Musée d’Art Contemporain du Val de Marne, Vitry en Seine
Naked, Jensen Art Gallery, Auckland
I Love You, Aarhus Kunstmuseum, Aarhus
Peeping Tom, Vegas Gallery, London
Desire, Blanton Museum of Art, Texas
Mat Collishaw, Tracey Emin & Paula Rego: At the Foundling, Foundling Museum, London, Foundling Museum, London
Sur le Dandysme Aujord’hui, Centro Galego de Arte Contemporanea, Santiago de Compostela

2009
Earth: Art of A Changing World GSK Contemporary, Royal Academy of Art, London
Performa 09 Biennial, New York
In Stitches, Lelia Taghinia-Milani Heller Gallery, New York
Cocker Spaniel and Other Tools for International Understanding, Kunsthalle zu Kiel, Kiel
Coeur de Femme, Galerie Sophie Scheidecker, Paris
A Room of Her Own, McClain Gallery, Texas
Pop Life, Tate Modern, London
Emporte-moi/Sweep me off my feet , Musée National des Beaux-Arts de Québec, Québec
Collecting Lines: Selected Works from the Geoff & Vicki Ainsworth Collection , Maitland Regional Art Gallery, New South Wales
Once Upon a Time…Artists and Storytelling, Courtauld Institute of Art, Somerset House, London
Eat Me, Drink Me , Goss-Michael Foundation Collection, Dallas.
Making of Art, Schirn Kunsthalle, Frankfurt
The Kaleidoscopic Eye. Thyssen-Bornemisza Art Contemporary Collection, Mori Art Museum, Tokyo
Inspired , Mitchell Library, Glasgow
Silent Writings, Louis Vuitton Espace, Paris
'With You I Want to Live: An Exhibition of Paintings, Sculpture, and
Photographs from the Collections of Gordon Locksley & George T. Shea and Francie Bishop Good & David Horvitz', Museum of Art, Fort Lauderdale, Florida
Being British, Stephen Lawrence Gallery, London
HARD/Soft, National Arts Club, New York, NY
Talk Dirty to Me, Larissa Goldston Gallery, NY
JEFFMUTE, Musee d'Art Moderne et Contemporain / MAMCO, Geneva
Tracey Emin, Guy Limone, DeAnna Maganias, Jorge Pardo, Angelo Plessas, Rebecca Camhi Gallery, Athens
Swingtime: Freestyle, Charlotte Fogh Contemporary, Aarhus

2008
Creative Cities, (piece from Fourth Plinth), Kunstmuseet Køge Skitsesamling, Denmark
ShContemporary 2008 The Asia Pacific Art Fair, Shanghai
Folkestone Triennial: Tales of Time and Space, Folkestone, Kent.
Summer Exhibition 2008, (Curator) Royal Academy of Arts, London
You Dig The Tunnel, I’ll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London.
Love, Touring show: National Gallery, London; Laing Art Gallery, Newcastle and Bristol’s Museums, Galleries & Archives
Five Portraits, De Hallen, Haarlem, Netherlands
Drawn from the Collection: 400 Years of British Drawing, Tate Britain, London
Coriander Plus (curated by Sir Peter Blake), Intercontinental Park Lane, London
Fourth Plinth, National Gallery, London

2007
True Romance, Kunsthalle Wien, Vienna
Summer Exhibition 2007, Royal Academy of Arts, London
The Naked Portrait, Scottish National Gallery, Edinburgh
Lights, Camera Action: Artists' Films for the Cinema, Whitney Museum of American Art, Whitney
Mima Collection: Selected Works, Middlesbrough Institute of Modern Art, Middlesbrough

2006
Aftershock: Contemporary British Art 1990-2006, Guangdong Museum of Art, Guangzhou;
Capital Museum, Beijing
Touch My Shadows, Centre for Contemporary Art Ujazdowski Castle, Warsaw
In the darkest hour there may be light: Works from Damien Hirst’s murderme collection, Serpentine Gallery, London
I’m Sorry, Pilar Parra & Romero Galeria de Arte, Madrid
Hot/Cold – Summer Loving, Zacheta National Gallery of Art, Warsaw
Motion on Paper, Ben Brown Fine Arts, London
Summer Exhibition 2006, Royal Academy, London
The Other Side #2 – Radical Pursuits: Delights in the subversive and sublime, Tony Shalfrezi Gallery, New York
Youth of Today, Schirn Kunsthalle, Frankfurt
The Devil of the Fireplace, Claudia Gian-Ferrari, La Triennale di Milano
Drawing Inspiration, Abbot Hall Art Gallery, Kendal
For All Audiences, Sala Rekalde, Bilbao
You’ll Never Know. Drawing and Random Interference, Harris Museum and Art Gallery, Preston; Glynn Vivian Gallery, Swansea; The Lowry, Salford; New Art Gallery, Walsall; Tullie Mouse Museum and Art Gallery, Carlisle
LOVE!, Ferragamo Gallery, New York

2005
Women’s Film Festival, ICA, London
IMAGINE A WORLD…, Bargehouse, London
Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York
Sketch in Motion: A Group Exhibition of Artists’ Animation, Sketch, London
The Wonderful Fund On Tour, Le Musée de Marrakech, Marrakech
Video II: Allegory, NRW-Furum Kultur und Wirtschaft, Dusseldorf
Super!: First Triennial for Contemporary Art, Fashion and Design, Z33, Hasselt
Realit;)t. 30 Videoarbeiten aus der Sammlung Goetz in München. Von Olaf Breuning bis Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon
Summer Exhibition 2005, Royal Academy of Arts, London
Body: New Art from the UK, Vancouver Art Gallery, Vancouver
Kiss the Frog! The Art of Transformation, National Museum of Art, Oslo
Identity and Nomadism, Palazzo delle Papesse, Siena
25. Twenty-five Years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin
Revelation. Reflecting British Art in the Arts Council Collection, Laing Art Gallery, Newcastle and The Lowry, Manchester
Death Mask by Tracey Emin, National Portrait Gallery, London
God Is Bored Of Us II, FMCG, London
Enchante Chãteau, MAMCO, Geneva
Munch Revisited, Henie Onstad Kunstcenter, Oslo
On Love, Museum Het Domein, Sittard
'Bock mit Inhalt' - Summer Exhibition, Stedelijk Museum, Amsterdam
London Calling. Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Berntsen, Oslo
Vivisección, Dibujo Contemporáneo, Museo de Arte Carrillo Gil, Mexico City
Mé-tissages, MIAT, Museum voor Industriële Archeologie en Textiel, Ghent
Top Spot, Berlin Film Festival, Berlin
Critic’s Choice, FACT, Liverpool

2004
The Christmas Exhibition 2004, Edinburgh Printmakers, Edinburgh
Fonetography, AOP Gallery, London
1st International Biennial of Contemporary Art of Sevilla, Monastry of the Cartuja of Sanat Maria de las Cuevas, Seville
Printers Inc.: Recent British Prints, Manchester Art Gallery, Manchester; Brewhouse Theatre; Arts Centre, Taunton and Park Gallery, Falkirk
Seven Sins, Museo d’Arte Moderna e Contemporanea, Bolzano
Einleuchten, Museum der Moderne, Salzburg
Summer Exhibition, Royal Academy of Arts, London
The Other Flower Show, Victoria & Albert Museum, London
Stranger Than Fiction, Leeds Art Gallery, Leeds; Tulie House, Carlisle; Ferens Art Gallery, Hull; Nottingham Castle, Nottingham; Brighton Museum and Art Gallery, Brighton
La Collection d’Art Contemporain d’Agnes B, Les Abattoirs, Toulouse
Tracey Emin and David Hockney Drawings, Museo de Bellas Artes, Santiago
Tracey Emin, Gillian Wearing and Dick Matena, Frans Hals Museum, Haarlem
See It…Read It, Draíocht, Dublin
Secrets of the ‘90s, Museum voor Moderne Kunst Arnhem, Arnhem
Social Strategies. Redefining Social Realism, Schick Art Gallery, Skidmore College, New York

2003
Social Strategies. Redefining Social Realism, The Richard E. Peeler Art Center, DePauw University, Greencastle (Indiana); University Art Museum, University of California, Santa Barbara; University Galleries, Illinois State University,Normal (Illinois); Schick Art Gallery, Skidmore College, New York, The Newcomb Art Gallery, Tulane University, New Orleans and University Art Museum, Santa Barbara
Tracey Emin, Luigi Ontani, Kiki Smith, Cerith Wyn Evans,Galleria Lorcan O’Neill, Rome
Flexible 4: Identities, Whitworth Art Gallery, Manchester; Nederlands Textielmuseum, Tilburg, Kunsthalle Brandts Klaedefabrik, Odense and Landesgalerie Linz am Oberösterreichischen Landesmusem,
Linz
Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo
Fast Forward – Media Art, ZKM, Karlsruhe
FRESH: Contemporary British Artists in Print, Edinburgh Printmakers, Edinburgh
Just Love Me; Post-Feministic Art of the 1990s, Bergen Art Museum, Bergen
A Bigger Splash: British Art from Tate 1960–2003, OCA & ITO, São Paulo
Game Over, Grimm Rosenfeld, Munich
Independence, South London Gallery, London
The Happy Couple, Cartwright Hall Art Gallery, Bradford
Il racconto del filo, Museo di Arte Moderna, Trento
Europe Exists, Macedonian Museum of Contemporary Art, Thessaloniki
Let’s See the Nature in You, Pepperton Gallery, London
Tactics of the Ego, Stiftung Wilhelm Lehmbruck Museum, Duisburg
Micro/Macro, The Budapest Kunsthalle, Budapest
Words from the Arts Council Collection, The Harris Museum and Art Gallery, Preston
The Map Is Not The Territory III, James Hockey Gallery, Farnham and The Surrey Institute of Art & Design, Franham
En Route, De Hallen, Haarlem

2002
Face Off, Kettle’s Yard, Cambridge
Rapture: Art’s Seduction by Fashion Since 1970, Barbican Art Gallery, London
The Ink Jetty, Neon Gallery, London
Shine, St Pancras Chambers, London
The Glory of God: New Religious Art, St. Peter’s Church, Liverpool
Disturb, 1st Public School of Hydra, Hydra
Die Wohltat der Kunst: PostFeministische Positionen der neunziger Jahre aus der Sammlung
Goetz, Staatliche Kunsthalle, Baden-Baden
Fusion Cuisine, Deste Foundation, Centre for Contemporary Art, Athens
Public Affairs. Von Beuys bis Zittel: Das Offentliche in der Kunst, Kunsthaus, Zurich
New Religious Art 1992–2002, Henry Peacock Gallery, London
Landscape, Saatchi Gallery, London
The Rowan Collection. Contemporary British & Irish Art, Irish Museum of Modern Art, Dublin

2001
Trans Sexual Express, Centro de Arte de Santa Monica, Barcelona; Palacio Municipal de Exposiciones, Corunna and Mucsarnok, Budapest
For the Love of Dog, Pump House Gallery, London
Printers Inc., The Gallery, Stratford-upon-Avon
Read-Only Memory, Mead Gallery, Warwick Arts Centre, University of Warwick, Coventry
Televisions, Kunsthalle Wien, Vienna
Video Project Space, Anthony Wilkinson Gallery, London
In Formation, Percy Miller Gallery, London
For the love of dog, Pump House Gallery, London
At Sea, Tate Liverpool, Liverpool
Tattoo Show, Modern Art Inc., London
Summer Exhibition, Royal Academy of Arts, London
Freestyle. Werke Aus der Sammlung Boros, Museum Morsbroich, Leverkusen
Century City, Tate Modern, London
Insider Trading: Profit Without Honour, Mandeville Hotel, London
London Nomad, Beit Zeinab Khatoun, a seminar on Contemporary Curatorial Practice at the American University Cairo Biennale, Cairo

2000
Peter Blake: About Collage, Tate Gallery, London
Nurture and Desire, Hayward Gallery, London
Sex and the British: Slap & Tickle – A perspective on the sexual content of British Art since the 1960s, Gallerie Thaddaeus Ropac, Salzburg and Gallerie Thaddaeus Ropac, Paris
Gut Aufgelegt, Kunsthaus, Hamburg
Drawings, Sommer Contemporary Art, Tel Aviv
Drawings, Taché-Lévy Gallery, Brussels
Potent Present. Selections from the Vicki and Kent Logan Collection, Logan Galleries, California College of Arts and Crafts, San Francisco
ManMoMa. A Thick Bloke Kicking a Dog to Death, The International 3 Summer Fête, Fairfield, Manchester
From Face to Face. Mimics – Gestures – Emotions, Städtisches Museum Leverkusen Schloß Morsbroich, Leverkusen
Out There, White Cube, London
Art in Sacred Spaces, St. Mary’s Church
The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh (National Touring Exhibitions)
Diary, Cornerhouse, Manchester, (Toured to Firstsite, Colchester)

1999
Hundstage, Gesellschaft für Aktuelle Kunst, Bremen
Imagen em Movimento. Moving Image, Chiva [S]ynergies Art, São Paulo
Art Lovers, The Liverpool Biennial of Contemporary Art, Compton House, Liverpool
Turner Prize, Tate Gallery, London
Now It’s My Turn to Scream. Works by Contemporary British Artists from the Logan Collection, Haines Gallery, San Francisco
Self Evident, Vaknin Schwartz, Atlanta
Temple of Diana, The Blue Gallery, London
Sweetie, The British School at Rome, Rome
Video Festival, Riccione TTV, Riccione

1998
Printers Inc.: Recent British Prints, Hayward Gallery, London; Edinburgh College of Art, Edinburgh; Rhyl Library, Museum and Art Centre, Rhyl; The Gallery, Stratford-Upon-Avon; Bury Art Gallery & Museum, Bury; Manchester Art Gallery, Manchester; Brewhouse Theatre, Arts Centre, Taunton and Park Gallery, Falkirk
10 SupaStore Supastars, SupaStore at Tomato, London
Made in London. An exhibition of works by London based artists made in the1990s, Museu da Electricidade, Lisboa
Pandaemonium, London Electronic Arts Gallery, London
UK Maximum Diversity, Galerie Krinzinger, Benger Fabrik Bregenz, Bregenz
The Colony Room 50th Anniversary Art Exhibition, A22 Projects, London
Hidden Desires And Images, Art Dynamics, Tayayo Lida, Tokyo
Emotion. Young British and American Art from the Goetz Collection, Deichtorhallen, Hamburg
Personal Effects, Spacex Gallery, Exeter and Angel Row Gallery, Nottingham
Loose Threads, Serpentine Gallery, London
Life is a Bitch, De Appel, Amsterdam
La Biennale de Montreal: Dream Catchers, Centre International D'Art Contemporain de Montreal, Montreal
Sam Taylor-Wood, Tracey Emin, Gillian Wearing, Marc Quinn, Galerija Dante Marino Cettina, Umag
Live and Let Die Apex Art C.P., New York
Beach Life, Upper Street, London (one day event)
Real Life, Galleria S.A.L.E.S., Rome
The Human Factor, Achenbach Kunsthandel, Düsseldorf
English Rose in Japan, Ginza Art Space Shiseido, Tokyo
Art from the UK: Angela Bulloch, Willie Doherty, Tracey Emin, Sarah Lucas, Sam Taylor-Wood, Sammlung Goetz, Munich

1997
Ca-Ca Poo-Poo, Kölnischer Kunstverein, Cologne
History. Image-based work in Britain in the late 20th Century, The Ferens Art Gallery, Kingston Upon
Hull (and UK tour)
Craft, Richard Salmon, London
Real Art for Real Women, ICA, London
Absolute Secret, Royal College of Art, London
Private Face. Urban Space, Old Gasworks, Athens and Rethymnon Centre for Contemporary Art,
Rethymnon
Kunst..Arbeit, 1st Presentation of the Bnks Collection, Südwest LB, Stuttgart
Tales from the City, Stills Gallery, Edinburgh
Sensation, Royal Academy of Arts, London and Hamburger Bahnhof, Berlin, 1998-99
between the devil and the deep (blue) sea, MUU Gallery, Helsinki
Package Holiday, Hydra Workshops, Hydra
Time Out, Kunsthalle Nürnberg, Nuremberg
Summer Love, Fotouhi Cramer Gallery, New York
Urban Legends, Staatliche Kunsthalle, Baden-Baden
Dissolution, Laurent Delaye Gallery, London
Such is Life, (Video programme), Serpentine Gallery Bookshop, London and Palais des Beaux Arts,
Brussels
Hypermnesiac Fabulations, The Power Plant, Toronto
Slight, Norwich Gallery, Norwich and Collective Gallery, Edinburgh

1996
Full House, Kunstmuseum Wolfsburg, Wolfsburg
Sad, Gasworks, London
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris and Centro de Exposições do Centro Cultural de Belém, Lisbon
The Aggression of Beauty, Galerie Arndt & Partner, Berlin
Yerself is Steam, 85 Charlotte St., London
A Grapefruit in the World Park, Transmission Gallery, Glasgow
Other Men’s Flowers, Aurel Scheibler, Cologne and The British School at Rome, Rome
Faustrecht der Freiheit (Volkmann Collection), Kunstsammlung Gera, Berlin and Neues Museum Weserburg, Bremen
Co-operators, Southampton City Art Gallery, Southampton
Loosy, Galerie Philippe Rizzo, Paris

1995
Brilliant: New Art from London, Walker Art Centre, Minneapolis and Contemporary Arts Museum, Houston
Brill: Works on Paper by Brilliant Artists, Montgomery Glasgow Fine Art, Minneapolis
Mysterium Alltag, Kampnagel, Hamburg
Minky Manky, South London Gallery, London and Arnolfini, Bristol
Art for Aids, Gallerie Nicoli Walner, Copenhagen
I Confess, Nikolaj Contemporary Art Centre, Copenhagen
Whistling Women, Chelsea Room, Royal Festival Hall, London
The Friendly Village, Milwaukee Institute of Art and Design, Milwaukee
Other Men’s Flowers, IceBox, Athens

1994
Gramercy Park Hotel, Art Fair, New York
Karaoke & Football, Portikus, Frankfurt
Other Men’s Flowers, Joshua Compston/London Portfolio 33 Coronet Street, London

1993
Hotel Carlton Palace Chambre 763, Hotel Carlton Palace, Paris

1992
The Phone Box, Various venues, London and Liverpool