“I got invited to do a special commission for the Saatchi Gallery which resulted in Real Special Very Painting and Voracious Impotent Penis (hence the titles, takes on R.S.V.P & V.I.P),” Reigate explains. “I’m interested in cartoon imagery because I was taught how to draw by my father. When visiting him at Wandsworth Prison, my father would try to entertain me through drawing popular imagery such as King Kong, or Mickey Mouse and Donald Duck. That would be his way of communicating to me; being a kind of 70s macho man, he found it difficult to express his feelings other than through anger or violence. So there is this dysfunction already in my circuit, in relation to my artistic introduction, drawing associated with punishment and freedom. Cartoon’s main audience is children. Art, a luxury commodity, could be seen as some kind of adult toy. Something to depart from the ‘real’ world, into one of escape and play where meaning and reason slips into a different social context. In the real world you’re not allowed to be naughty, but in a cartoon world you can. You can throw knives, fall from buildings, and attempt murder.”