By choosing to work with second-hand, or pre-used yarns and wool, Wadden is often short of the amount he needs and so compensates with matching filler which – along with the inherent process – affects the consistency of the final work and combines the aspirations of reductive modernist painting with the ’make-do-and-mend’ of a poorer domesticity.

In his Alignment paintings 10, 13 and 21, Wadden successfully merges the surface beauty and decorative connotations attached to weaving with the high-minded concerns of geometric abstraction, and echoes the ideas present in the work of such artists as Jim Iserman, Sheila Hicks and Anni Albers; openly celebrating the uneasy area between folk art and fine art.

Text by Gemma de Cruz

0
    0
    Your Cart
    Your cart is emptyReturn to Shop

    Thank you for your enquiry!

    Your message was sent and one of our Admin team will respond as soon as possible.

    If you have an urgent question, please call our front desk on 020 7811 3070.

    For more information on how we store and use your data please view our privacy policy here. You can unsubscribe from our newsletters at any time by clicking on the links below the emails we send you.

    Essential Information Before Your Visit:
    Click Plan Your Visit for full information on upcoming closures.

    Register for email updates
    Be the first to hear about the latest Saatchi Gallery exhibitions, events, offers and news