How Jonathan Baldock goes about making his sculptures is a little unorthodox to say the least. Looking for a cheap substitute for clay that didn’t require the cumbersome processes of a kiln, Baldock returned to his roots and adopted a technique he learned, not in the hallowed halls of the Royal College, but in Sunday school. Each of his sculptures, which could easily be mistaken for fine porcelain or ceramic, are in fact made from a play-dough mixture of flour, salt, and water. Baldock begins each piece by sculpting a head, and then lets it dry in front of his radiator (they won’t fit in his oven!) before adding the details in successive layers; their rich matt hues that would be the envy of Wedgwood are derived from food colouring which he mixes into the dough at the kneading stage.

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