Cemetery belongs to the same series of works as Obelisk. It is a painting less concerned with death and its emotional ramifications, than with the correct protocol for mourning. Again, a single female figure occupies the canvas. Isolated by the hard, grey concrete that surrounds her, she is very much alone. Her appearance is contradictory; a black dress, the traditional colour of mourning, with garish red tights. In a similar way, her facial expression is not what we might expect; a tight, twisted smirk, where we would usually expect to see sadness or sympathy. With no other clues as to the circumstances, the viewer is left to complete the story in his or her own mind.

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