Cousins brandishes the sculptural inherence of two dimensional painting: the colossal weight of the colour black, how little gobs of green and pink become solid objects in their own right, and lines not drawn, but made from cut and layered canvas, seem a natural extension of surface. Tal R propagates a softer, cuddlier avant-garde, where all things having achieved logo-istic equality, he resurrects the almost forgotten concept of artistic genius.

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