Two stuffed snakes, a dark male and his floral female mate, lay entwined on the gallery floor. Clutching a bouquet of microphones, they confront the viewer with a wry statement on the privileged social systems that media imagery exploits. In the same breath, this hand-sewn, soft sculpture, typical of Holstad’s interest in traditional forms of craftsmanship, invites us to reconsider culturally prescribed notions of gender, domesticity, and high and low art.

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