Free Passage has been likened to Pablo Picasso’s 1937 painting Guernica. Gupta’s somber figures are depicted in black and white, with the words free passage painted across the canvas in Urdu. The inverted head of the statue of Liberty, camouflaged in army fatigue, emerges from what appears to be a pelvic region to the right of the canvas, as if in birth. The black and white figures possess a theatrical quality; they are shown witnessing the birth of an era of intolerance and violence. The forms appear on the brink of dissolving, as colour disappears from the foreground and becomes rooted into the distance.

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