Krotova’s work focuses on the representation of real, living shapes – heads, faces and hearts – isolated from their usual physical contexts. Her visual language raises our consciousness of the representation of life, even of imaginary creatures, within the art historical tradition. Her installations are sometimes composed of thin, papier-mache-like sculptures; other times of porcelain, another material that could be easily shattered. For some projects she has created sites with ‘archeological’ objects – not pottery shards but bones and teeth and horns made out of ceramics as a way of underscoring the fragility and fetishisation of historical remains.