Themes of reconciliation are central to Al-Karim’s work, both emotionally and in relation to Sufi tradition, where faith is inwardly focused and strives for unity between consciousness and God.
Contradictions and juxtapositions occur within his photos, but rather than creating tension, they have harmonious effect. As faces line up: beautiful and garish, monstrous and innocent, wizened and puerile, they form single conglomerate portraits, each segment completing the next, contributing to the understanding of the whole. In Hidden War 2, Al-Karim has covered his images with a transparent layer of cloth, urging the viewer to consider the hidden agendas behind the legitimising rhetoric of those who support the war

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