The artist’s choice of subject riffs on his memory of the inhuman but fascinating spatial energy where he first encountered this imagery. “When I was young… the industrial area I lived in [Northern Germany] inspired a sculptural and mechanical outlook more than a painterly one. If I were to write a novel about this area I would call it ‘The Region’… At an early age I subconsciously perceived this industrial environment as sculptural”. Exploring the formal potential of the car and bending its natural anatomy, away from any predetermined functional sense, became a central preoccupation for the artist’s imagination.

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