Cervantes’ work explores the intricacy and intimacy of power using painterly devises to create works of semi-narrative that address age-old dynamics of dominance and submission, an uncomfortable yet inescapable part of human nature. Thus, Cervantes’ paintings adopt a strongly Mexican cultural discourse, as they are implicated within wider narratives of colonial and post-colonial representation. Images of secrecy and intrigue, transgression and subversion, as they exist in the artist’s imagination become sites for the enactment of momentary impulses and sexualised desires. The collision of Catholic, indigenous, and African religious aspects is apparent through expressions of sin, guilt and sacrifice, as they might have been performed in some fantastical place. Cervantes paintings playfully attempt to re-root individuals in an alternative reality, fragmentary characters are imbued with meaningful agency as they revolt against a grand narrative.

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