Evasion VI is less a representation of a specific place than an eruption of global confusion. Wild blasts of colour rip tangled organic masses apart. Amid the wreckage are tiny vignettes of landscape displaced from their natural setting. Ackermann’s painting has an undertone of catastrophe: desert sunsets, rocky coves, and industrial parks clash together like tectonic plates in an ethical snafu. Through his unbridled abstraction, Ackermann strives to chart out the physical impossibility of conceptual space. Evasion VI reconstructs our chaotic perception of the world as an apocalyptic image-byte.

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