Humorously referencing both tribal masks and modernism, Huma Bhabha’s Museum Without Walls presents the anatomy of a sculpture as voodoo construction. Using the traditional materials of sculptural moulding Bhabha constructs a skeleton of process, her formalist assemblage doubling as anthropomorphic entity. Laying bare her media and their function, Bhabha infuses her work with suggestive narratives. Museum Without Walls stands as both totem and architectural model, creating a contemporary primitivism from cultural refuse.

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