Approaching the re-systemising of informational structures as an intuitive process, Wu reconstitutes the articulated design of print matter as chaotic overload, his bold logos and by-lines emerge as subconscious expressions, striving for intimate cognition. Muted washes, dabs of colour, hurried gestures, and wayward drizzles overlap, erase, and compete for perspectival hierarchy, suggesting an algorithmic order to the perplexities of individual identity and global communication.

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