Ubi Pedes Ibi.Patria (Where the feet are, there is the fatherland) (2006) provokes free-associative thoughts of sweatshop labour, bargain basement desperation, social homogeneity and images of shoe piles from the Holocaust. A witty take on cultural consumption, The Complete History of Postcontemporary Art (2005) is redolent with 1990s art allusions, while in Pyromaniac 2 (2003) lifestyle ideals merge with revolutionary violence in a female model on the brink of self-combustion.