Wilhelm Sasnal’s green lady is marbled perfection: a towering sculptural goddess executed as an anonymous product of design. Cropped, chin jutting out: her once symbolic mysticism now holds only graphic optimism, a pleasant hallmark of simplified form and bright colours. Wilhelm Sasnal repackages ideology for an indiscriminate consumer culture. Painting becomes a ritual of purification through aesthetics, which can sell even the most frightening of concepts.

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