In Pose Madani’s beefy terrorist strikes a classic pin-up posture, farcically boasting his recent body waxing as a hero’s survival of exquisite torture. Executed with the apocalyptic glow of sunset exotica, Madani stages his glory with a clichéd romanticism redolent of Hollywood film posters or Gauguin’s Tahitian virgins. Traces of her casual brush strokes give the scene a languid dreamy effect, her sharp dabs, replicating oozing blood and plucked hairs, punctuating the canvas’s serene surface with exaggerated cartoon severity.

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