“When I made Pout I was thinking about modernist painting, African masks, and modes of abstraction. I really enjoy the energy of ‘primitivism’, but these things feel so familiar now they’re quite difficult to use. I wanted to make it feel new again, like how it was perceived in the first place: raw and dynamic. I started painting and different connotations came up, like Max Ernst and Miro’s tapestries; it’s about appropriation in some ways. I make a lot of sculpture and think about painting in a sculptural way. The work has lots of different layers and the paint becomes a material like plaster or something. I use a lot of spray paint with the oil, this gives a light source and shows the different excavations within the paint; it brings out the different layers that have been masked or covered up. I don’t usually work in grey scale, but I was thinking of totemic sculpture or tribal masks, something quite sombre and grand. It’s how we look at images of these things: in black and white photographs and old books.”

0
    0
    Your Cart
    Your cart is emptyReturn to Shop

    Thank you for your enquiry!

    Your message was sent and one of our Admin team will respond as soon as possible.

    If you have an urgent question, please call our front desk on 020 7811 3070.

    For more information on how we store and use your data please view our privacy policy here. You can unsubscribe from our newsletters at any time by clicking on the links below the emails we send you.

    Essential Information Before Your Visit:
    Click Plan Your Visit for full information on upcoming closures.

    Register for email updates
    Be the first to hear about the latest Saatchi Gallery exhibitions, events, offers and news